<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6984433375308800121</id><updated>2011-08-05T00:12:13.969-07:00</updated><category term='san diego'/><category term='cliches'/><category term='fallacies'/><category term='lcd news'/><category term='azn'/><category term='sex'/><category term='bullshitins'/><category term='wildfires'/><category term='feminism'/><category term='geekery'/><category term='politics'/><category term='religion'/><category term='video'/><category term='semantics'/><category term='beauty'/><category term='stupid consumers'/><category term='california'/><category term='banned books week'/><category term='free speech'/><category term='urban legend'/><category term='1984'/><category term='desi'/><title type='text'>In the Realm of the Rational</title><subtitle type='html'>dedicated to calling out BS. yes, even my own.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>21</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-5531683082534726368</id><published>2011-07-13T15:48:00.001-07:00</published><updated>2011-07-13T16:27:52.738-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='geekery'/><title type='text'>The Dvorak Project</title><content type='html'>I'm calling bullshit on QWERTY keyboards.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;QWERTY was&lt;a href="http://home.earthlink.net/~dcrehr/whyqwert.html"&gt; designed with typewriters in mind&lt;/a&gt;, not computers or even their predecessors/contemporaries, word processors. In addition, it doesn't take into account the anatomy of the human hand and the way it is easiest to move the hand -- basically, as a system, it ignores what makes typing easier, safer, and faster.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;As a person who doesn't have enough to do as it is [/snark], I'm going to conduct a personal experiment: The Dvorak Project.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Why, and why now?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Though I had long ago read somewhere or the other that QWERTY sucks and makes no sense for the computer age, I did not really get interested in alternatives until I started working at a job where I type all day. The idea of increasing my speed really appeals to me; I’m one of those people whose words aren’t fast enough for her thoughts, so even work aside, it seems like a good idea. In addition, I had a friend get carpal tunnel, which has caused her a lot of problems. Could you imagine life without the ability to use a computer? I certainly can’t. As I investigated anti-&lt;a href="http://en.wikipedia.org/wiki/Repetitive_strain_injury"&gt;RSI&lt;/a&gt; exercises, ergonomic keyboards, and the like, DVORAK occurred to me, and I found out that Dvirak can help to prevent them. This cemented my decision, as carpal tunnel is a scary possibility in my current line of work.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;How?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;My first step was to decide where I would be learning Dvorak. I used to be online quite a bit when unemployed, and I still use my laptop at home on occasion. As a person with a full-time job, though, most of my computer time is spent using my work desktop and &lt;a href="http://g2.t-mobile.com/"&gt;my phone&lt;/a&gt; (which, interestingly enough, has a QWERTY keyboard, which affects this experiment). Also, I worried that if I affixed the Dvorak stickers to my laptop, it would be hard to pry them off if I ended up hating Dvorak. Buying a new keyboard was the best choice for me, especially given that I wanted an ergonomic one as part of my anti-RSI strategy at work. Using a separate keyboard also means that I can take mine home with me to use with my laptop if I really wanted to do so.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Getting a Keyboard&lt;/b&gt;&lt;/div&gt;&lt;div&gt;My second step was obtaining the necessary parts. Dvorak keyboards are well over $100 for the cheapest version, so those were automatically out. I researched ergonomic keyboards and Microsoft's are the most widely-available and thus the easiest to find at a low price (yes, I'm cheap). I replied to a few ads on Craigslist; the people turned out to be rather flakey (big surprise). I posted my own ad and within a few days, someone was offering me &lt;a href="http://www.amazon.com/Microsoft-Wireless-Laser-Desktop-69A-00001/dp/B000H14IDC"&gt;his&lt;/a&gt; for $25. Given that it would mean not waiting for shipping, being able to examine the used equipment in-person before paying for it, and helping out someone local, I decided to go for it. I could have saved a few bucks by buying online, but that's a big maybe given shipping costs and the like. The day I bought my keyboard, I bought some blue Dvorak stickers for it from eBay for just under $5 with shipping.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Making Things Interesting&lt;/b&gt;&lt;/div&gt;&lt;div&gt;I obtained a messaging phone, i.e. one with a slide-out QWERTY keyboard, in early 2009. In July 2010, I purchased &lt;a href="http://www.t-mobile.com/shop/phones/cell-phone-detail.aspx?cell-phone=t-mobile-g1-with-google-black"&gt;my first smartphone&lt;/a&gt; primarily because it was the first Android phone and thus was easy to obtain cheaply from a friend who had &lt;a href="http://www.google.com/phone/detail/nexus-one"&gt;upgraded&lt;/a&gt;. I was really happy because it also has a slide-out keyboard. I am such a keyboard phone addict at this point that I got my current phone, the G2, not just because of its 3G compatibility, its solid design, and its sturdiness, but because it, likes its predecessor the G1, has a QWERTY keyboard. I loathe touchscreen keyboards; my speed using my thumbs on a slide-out is fairly impressive.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;What does this mean in relation to my learning Dvorak? Who knows, maybe my thumbs' muscle memory is different from that of my entire hand. Maybe the disparate format of phone vs. computer will be enough to ensure that I don't utterly confuse myself. Either way, my adoration of QWERTY on phone keyboards makes this a bit more interesting, don't you think?&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;A Real Keyboard?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Some people &lt;a href="http://www.dubaron.com/dvorak/keyswap.html"&gt;make their own Dvorak keyboards&lt;/a&gt;; I would do it, but I don’t want to go through the effort of re-assembling a keyboard if I end up ditching Dvorak. Also, you can't really re-assemble an ergonomic keyboard, so my anti-RSI measures would be somewhat thwarted. If I like Dvorak enough, I'll probably make a Dvorak board to keep at home for use with my laptop. &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Progress Report&lt;/b&gt;&lt;/div&gt;&lt;div&gt;I'm currently waiting for my stickers to come in the mail. Once they do, I will go about turning my QWERTY-only keyboard into one that plays for both teams. In the meanwhile, I'm trying to place my hands right, get used to this ergonomic keyboard (it's really nice so far), and &lt;a href="http://www.typingtest.com/"&gt;log my typing speeds&lt;/a&gt; every day starting today to get an accurate read on them as well as to the eventual changes that should occur.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;What's Next&lt;/b&gt;&lt;/div&gt;&lt;div&gt;I am researching sites that have Dvorak learning tools and tips. The simplicity of &lt;a href="http://learn.dvorak.nl/"&gt;this site&lt;/a&gt; is appealing. &lt;a href="http://www.powertyping.com/dvorak/typing.html"&gt;This one&lt;/a&gt; has goals and is more customizable. &lt;a href="http://gigliwood.com/abcd/lessons/"&gt;Yet another &lt;/a&gt;seems to be in a more self-learning style. Every site I've looked at that has tips on how to switch recommends going "cold-turkey" -- I don't know how possible that will be for me, but we will see.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Data&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Previously-Tested Range of QWERTY Typing Speeds: 68-75 wpm&lt;/div&gt;&lt;div&gt;Today's QWERTY Typing Speed Test Result: 70 wpm&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Quote of the Day&lt;/b&gt;&lt;/div&gt;&lt;div&gt;"What a bunch of freaking nerds." -- Julio Perucho, in response to my Facebook discussion on Dvorak vs. QWERTY&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-5531683082534726368?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/5531683082534726368/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=5531683082534726368' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5531683082534726368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5531683082534726368'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2011/07/dvorak-project.html' title='The Dvorak Project'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-7212955320143865342</id><published>2010-04-07T08:24:00.000-07:00</published><updated>2010-04-07T09:44:02.626-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sex'/><category scheme='http://www.blogger.com/atom/ns#' term='free speech'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>The Constance McMillen Fake Prom Thing</title><content type='html'>I must say that she is a brave and strong young lady, and I am sure she has a great future working for non-straight rights.&lt;br /&gt;&lt;br /&gt;Quotes/Links:&lt;br /&gt;&lt;blockquote&gt;&lt;a href="http://www.advocate.com/News/Daily_News/2010/04/05/ACLU_Investigating_Fake_Prom/"&gt;Two students with learning difficulties were among the seven people at the country club event, McMillen recalls. "They had the time of their lives," McMillen says. "That's the one good thing that come out of this, [these kids] didn't have to worry about people making fun of them [at their prom]."&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;So you discriminate against people with learning disabilities too?! Stay classy!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.inquisitr.com/69069/constance-mcmillen-fake-prom-confirmed/"&gt;Confirmation of Bigotry&lt;/a&gt;&lt;br /&gt;&lt;a href="http://scienceblogs.com/pharyngula/2010/04/fulton_mississippi_skeeviest_t.php"&gt;Fulton, Mississippi: Skeeviest town in America&lt;/a&gt;&lt;br /&gt;&lt;a href="http://crooksandliars.com/john-amato/constance-mcmillen-american-hero-not-he"&gt;Constance McMillen is an American Hero, but not her f*&amp;amp;king Town&lt;/a&gt;&lt;br /&gt;&lt;a href="http://slog.thestranger.com/slog/archives/2010/03/24/itawamba-agricultural-high-school-suspended-a-transgendered-student-back-in-january"&gt;Transphobia, too?!&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The egregious hypocrisy of her classmates has skeeved me enough to where I feel like I must get their collected stuff on a page outside of &lt;a href="http://www.facebook.com/pages/Constance-quit-yer-cryin/367776042862"&gt;Facebook&lt;/a&gt; (FYI: that page was created by bigots but was soon hijacked by Team Constance! YAY!) So here it is: The Greatest Hits of the Hypocrites!&lt;br /&gt;&lt;br /&gt;What shocks me is that these people don't mind that their full, real names associated with hatred, and that their Facebook photos were not on enough privacy to stop the whole world from realizing that the private prom had happened, despite reports that it had been cancelled. Please note that I do not hold with &lt;a href="http://finallyfeminism101.wordpress.com/2010/04/04/what-is-slut-shaming/"&gt;slut-shaming&lt;/a&gt; (shaming and/or attacking a woman or a girl for being sexual, having one or more sexual partners, acknowledging sexual feelings, and/or acting on sexual feelings).&lt;div&gt;  &lt;div&gt;The only reason I am calling out these young ladies' attire, conduct on the dancefloor, and maternal statuses is the fact that it shows their pure hypocrisy. It's all too easy to target the lesbian for enforcement of your ancient religious text's rules, but it's quite another to actually live your life according to the many rules for living proscribed by that very same text.&lt;br /&gt;&lt;br /&gt;Yes, it was religiously-motivated, at least in the eyes of some:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411593142036_652577036_573345.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;That sounds like a threat to me:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/threats.jpg" /&gt;&lt;br /&gt;By the way, this young lady likes to argue on the side of the bigots and then claim to be a friend of Constance. On top of that, she's a single parent:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/moarhypocrisy.jpg" /&gt;&lt;br /&gt;Now, this isn't to shame single moms, but if you're going to argue for the enforcement a dubious Biblical rule in your PUBLIC SCHOOL's prom, then please at least try to follow the same religion whose rules you claim to be enforcing on others.&lt;br /&gt;&lt;br /&gt;Blaming the victim -- they cancelled it rather than allow for a girl in a tux and her date to come to the prom:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/13317_10150151869005508_510155507_1.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;She obviously does not understand that situation, or does not wish to:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/13317_10150151869025508_510155507_1.jpg" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;You might think that prom night is over, but the implications of your actions stand:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/24750_102907806416984_1000009329607.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;Poor straight kids! (not):&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411593537036_652577036_573345.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;To any who still might use the "that was a party, Constance went to the real prom" argument:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/constance-mcmillen-fake-prom-confir.jpg" /&gt;&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411461082036_652577036_572952.jpg" /&gt;&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/ick.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;The last line is what is meant by the phrase "tyranny of the majority." By the way, I hope they face consequences, but the way their area seems to function, there won't be much. They got their segregated prom in the end:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/threat2.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;Booty grinding at the Holiest of Holy Proms. Remember, kids, this will live on in &lt;a href="http://www.youtube.com/watch?v=FLQFmXiVU7o"&gt;internetrnity&lt;/a&gt;:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411436732036_652577036_572853.jpg" /&gt;&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411470192036_652577036_572980.jpg" /&gt;&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/25681_411608352036_652577036_573386.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;And, the most egregious hypocrisy of them all -- girl on girl action! I guess Jesus only approves of it when both parties are sloppily making out and griding in feminine attire for the male gaze:&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/hypocrites.jpg" /&gt;&lt;br /&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/24214_1325539750531_1592036329_3075.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;In conclusion, everyone at that "other prom" is culpable for the exhibition of homophobia and discrimination against people with disabilities that the "prom" was.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-7212955320143865342?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/7212955320143865342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=7212955320143865342' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/7212955320143865342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/7212955320143865342'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2010/04/constance-mcmillen-fake-prom-thing.html' title='The Constance McMillen Fake Prom Thing'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/Constance%20McMillen/th_25681_411593142036_652577036_573345.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-3294597586162489612</id><published>2009-12-17T11:03:00.000-08:00</published><updated>2010-06-27T23:57:08.148-07:00</updated><title type='text'>dumping it from Myspace to here (from 10/23/2007)</title><content type='html'>I'm surprised that I've added five of these to my list without trying, two of which were not for school, two of which were, and one of which I read in high school but neglected to track on Librarything.&lt;br /&gt;&lt;br /&gt;2000s&lt;br /&gt;   1. Never Let Me Go – Kazuo Ishiguro&lt;br /&gt;   2. Saturday – Ian McEwan&lt;br /&gt;   3. On Beauty – Zadie Smith&lt;br /&gt;   4. Slow Man – J.M. Coetzee&lt;br /&gt;   5. Adjunct: An Undigest – Peter Manson&lt;br /&gt;   6. The Sea – John Banville&lt;br /&gt;   7. The Red Queen – Margaret Drabble&lt;br /&gt;   8. The Plot Against America – Philip Roth&lt;br /&gt;   9. The Master – Colm Tóibín&lt;br /&gt;  10. Vanishing Point – David Markson&lt;br /&gt;  11. The Lambs of London – Peter Ackroyd&lt;br /&gt;  12. Dining on Stones – Iain Sinclair&lt;br /&gt;  13. Cloud Atlas – David Mitchell&lt;br /&gt;  14. Drop City – T. Coraghessan Boyle&lt;br /&gt;  15. The Colour – Rose Tremain&lt;br /&gt;  16. Thursbitch – Alan Garner&lt;br /&gt;  17. The Light of Day – Graham Swift&lt;br /&gt;  18. What I Loved – Siri Hustvedt&lt;br /&gt;  &lt;b style="font-weight: bold;"&gt;19. The Curious Incident of the Dog in the Night-Time – Mark Haddon&lt;/b&gt;&lt;br /&gt;  20. Islands – Dan Sleigh&lt;br /&gt;  21. Elizabeth Costello – J.M. Coetzee&lt;br /&gt;  22. London Orbital – Iain Sinclair&lt;br /&gt;  23. Family Matters – Rohinton Mistry&lt;br /&gt;  24. Fingersmith – Sarah Waters&lt;br /&gt;  25. The Double – José Saramago&lt;br /&gt;  26. Everything is Illuminated – Jonathan Safran Foer&lt;br /&gt;  27. Unless – Carol Shields&lt;br /&gt;  28. Kafka on the Shore – Haruki Murakami&lt;br /&gt;  29. The Story of Lucy Gault – William Trevor&lt;br /&gt;  30. That They May Face the Rising Sun – John McGahern&lt;br /&gt;  31. In the Forest – Edna O'Brien&lt;br /&gt;  32. Shroud – John Banville&lt;br /&gt;  33. Middlesex – Jeffrey Eugenides&lt;br /&gt;  34. Youth – J.M. Coetzee&lt;br /&gt;  35. Dead Air – Iain Banks&lt;br /&gt;  36. Nowhere Man – Aleksandar Hemon&lt;br /&gt;  37. The Book of Illusions – Paul Auster&lt;br /&gt;  38. Gabriel's Gift – Hanif Kureishi&lt;br /&gt;  39. Austerlitz – W.G. Sebald&lt;br /&gt;  40. Platform – Michael Houellebecq&lt;br /&gt;  41. Schooling – Heather McGowan&lt;br /&gt;  42. Atonement – Ian McEwan&lt;br /&gt;  43. The Corrections – Jonathan Franzen&lt;br /&gt;  44. Don't Move – Margaret Mazzantini&lt;br /&gt;  45. The Body Artist – Don DeLillo&lt;br /&gt;  46. Fury – Salman Rushdie&lt;br /&gt;  47. At Swim, Two Boys – Jamie O'Neill&lt;br /&gt;  &lt;b style="font-weight: bold;"&gt;48. Choke – Chuck Palahniuk&lt;/b&gt;&lt;br /&gt;  49. Life of Pi – Yann Martel&lt;br /&gt;  50. The Feast of the Goat – Mario Vargos Llosa&lt;br /&gt;  51. An Obedient Father – Akhil Sharma&lt;br /&gt;  52. The Devil and Miss Prym – Paulo Coelho&lt;br /&gt;  53. Spring Flowers, Spring Frost – Ismail Kadare&lt;br /&gt;  54. White Teeth – Zadie Smith&lt;br /&gt;  55. The Heart of Redness – Zakes Mda&lt;br /&gt;  56. Under the Skin – Michel Faber&lt;br /&gt;  57. Ignorance – Milan Kundera&lt;br /&gt;  58. Nineteen Seventy Seven – David Peace&lt;br /&gt;  59. Celestial Harmonies – Péter Esterházy&lt;br /&gt;  60. City of God – E.L. Doctorow&lt;br /&gt;  61. How the Dead Live – Will Self&lt;br /&gt;  62. The Human Stain – Philip Roth&lt;br /&gt;  63. The Blind Assassin – Margaret Atwood&lt;br /&gt;  64. After the Quake – Haruki Murakami&lt;br /&gt;  65. Small Remedies – Shashi Deshpande&lt;br /&gt;  66. Super-Cannes – J.G. Ballard&lt;br /&gt;  67. House of Leaves – Mark Z. Danielewski&lt;br /&gt;  68. Blonde – Joyce Carol Oates&lt;br /&gt;  69. Pastoralia – George Saunders&lt;br /&gt;1900s&lt;br /&gt;  70. Timbuktu – Paul Auster&lt;br /&gt;  71. The Romantics – Pankaj Mishra&lt;br /&gt;  72. Cryptonomicon – Neal Stephenson&lt;br /&gt;  73. As If I Am Not There – Slavenka Drakuli?&lt;br /&gt;  74. Everything You Need – A.L. Kennedy&lt;br /&gt;  75. Fear and Trembling – Amélie Nothomb&lt;br /&gt;  &lt;b&gt;76. The Ground Beneath Her Feet – Salman Rushdie&lt;/b&gt;&lt;br /&gt;  77. Disgrace – J.M. Coetzee&lt;br /&gt;  78. Sputnik Sweetheart – Haruki Murakami&lt;br /&gt;  79. Elementary Particles – Michel Houellebecq&lt;br /&gt;  80. Intimacy – Hanif Kureishi&lt;br /&gt;  81. Amsterdam – Ian McEwan&lt;br /&gt;  82. Cloudsplitter – Russell Banks&lt;br /&gt;  83. All Souls Day – Cees Nooteboom&lt;br /&gt;  84. The Talk of the Town – Ardal O'Hanlon&lt;br /&gt;  85. Tipping the Velvet – Sarah Waters&lt;br /&gt;  &lt;b style="font-weight: bold;"&gt;86. The Poisonwood Bible – Barbara Kingsolver&lt;/b&gt;&lt;br /&gt;  87. Glamorama – Bret Easton Ellis&lt;br /&gt;  88. Another World – Pat Barker&lt;br /&gt;  89. The Hours – Michael Cunningham&lt;br /&gt;  90. Veronika Decides to Die – Paulo Coelho&lt;br /&gt;  91. Mason &amp;amp; Dixon – Thomas Pynchon&lt;br /&gt; &lt;b style="font-weight: bold;"&gt; 92. The God of Small Things – Arundhati Roy&lt;/b&gt; &lt;b style="font-weight: bold;"&gt;  93. Memoirs of a Geisha – Arthur Golden&lt;/b&gt;&lt;br /&gt;  94. Great Apes – Will Self&lt;br /&gt;  95. Enduring Love – Ian McEwan&lt;br /&gt;  96. Underworld – Don DeLillo&lt;br /&gt;  97. Jack Maggs – Peter Carey&lt;br /&gt;  98. The Life of Insects – Victor Pelevin&lt;br /&gt;  99. American Pastoral – Philip Roth&lt;br /&gt; 100. The Untouchable – John Banville&lt;br /&gt; 101. Silk – Alessandro Baricco&lt;br /&gt; 102. Cocaine Nights – J.G. Ballard&lt;br /&gt; 103. Hallucinating Foucault – Patricia Duncker&lt;br /&gt; 104. Fugitive Pieces – Anne Michaels&lt;br /&gt; 105. The Ghost Road – Pat Barker&lt;br /&gt; 106. Forever a Stranger – Hella Haasse&lt;br /&gt; 107. Infinite Jest – David Foster Wallace&lt;br /&gt; 108. The Clay Machine-Gun – Victor Pelevin&lt;br /&gt; 109. Alias Grace – Margaret Atwood&lt;br /&gt; 110. The Unconsoled – Kazuo Ishiguro&lt;br /&gt; 111. Morvern Callar – Alan Warner&lt;br /&gt; 112. The Information – Martin Amis&lt;br /&gt; 113. The Moor's Last Sigh – Salman Rushdie&lt;br /&gt; 114. Sabbath's Theater – Philip Roth&lt;br /&gt; 115. The Rings of Saturn – W.G. Sebald&lt;br /&gt; 116. The Reader – Bernhard Schlink&lt;br /&gt; 117. A Fine Balance – Rohinton Mistry&lt;br /&gt; 118. Love's Work – Gillian Rose&lt;br /&gt; 119. The End of the Story – Lydia Davis&lt;br /&gt; 120. Mr. Vertigo – Paul Auster&lt;br /&gt; 121. The Folding Star – Alan Hollinghurst&lt;br /&gt; 122. Whatever – Michel Houellebecq&lt;br /&gt; 123. Land – Park Kyong-ni&lt;br /&gt; 124. The Master of Petersburg – J.M. Coetzee&lt;br /&gt; 125. The Wind-Up Bird Chronicle – Haruki Murakami&lt;br /&gt; 126. Pereira Declares: A Testimony – Antonio Tabucchi&lt;br /&gt; 127. City Sister Silver – Jàchym Topol&lt;br /&gt; 128. How Late It Was, How Late – James Kelman&lt;br /&gt; 129. Captain Corelli's Mandolin – Louis de Bernieres&lt;br /&gt; 130. Felicia's Journey – William Trevor&lt;br /&gt; 131. Disappearance – David Dabydeen&lt;br /&gt; 132. The Invention of Curried Sausage – Uwe Timm&lt;br /&gt; 133. The Shipping News – E. Annie Proulx&lt;br /&gt; 134. Trainspotting – Irvine Welsh&lt;br /&gt; 135. Birdsong – Sebastian Faulks&lt;br /&gt; 136. Looking for the Possible Dance – A.L. Kennedy&lt;br /&gt; 137. Operation Shylock – Philip Roth&lt;br /&gt; 138. Complicity – Iain Banks&lt;br /&gt; 139. On Love – Alain de Botton&lt;br /&gt; 140. What a Carve Up! – Jonathan Coe&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;141. A Suitable Boy – Vikram Seth&lt;/b&gt;&lt;br /&gt; 142. The Stone Diaries – Carol Shields&lt;br /&gt; 143. The Virgin Suicides – Jeffrey Eugenides&lt;br /&gt; 144. The House of Doctor Dee – Peter Ackroyd&lt;br /&gt; 145. The Robber Bride – Margaret Atwood&lt;br /&gt; 146. The Emigrants – W.G. Sebald&lt;br /&gt; 147. The Secret History – Donna Tartt&lt;br /&gt; 148. Life is a Caravanserai – Emine Özdamar&lt;br /&gt; 149. The Discovery of Heaven – Harry Mulisch&lt;br /&gt; 150. A Heart So White – Javier Marias&lt;br /&gt; 151. Possessing the Secret of Joy – Alice Walker&lt;br /&gt; 152. Indigo – Marina Warner&lt;br /&gt; 153. The Crow Road – Iain Banks&lt;br /&gt; 154. Written on the Body – Jeanette Winterson&lt;br /&gt; 155. Jazz – Toni Morrison&lt;br /&gt; 156. The English Patient – Michael Ondaatje&lt;br /&gt; 157. Smilla's Sense of Snow – Peter Høeg&lt;br /&gt; 158. The Butcher Boy – Patrick McCabe&lt;br /&gt; 159. Black Water – Joyce Carol Oates&lt;br /&gt; 160. The Heather Blazing – Colm Tóibín&lt;br /&gt; 161. Asphodel – H.D. (Hilda Doolittle)&lt;br /&gt; 162. Black Dogs – Ian McEwan&lt;br /&gt; 163. Hideous Kinky – Esther Freud&lt;br /&gt; 164. Arcadia – Jim Crace&lt;br /&gt; 165. Wild Swans – Jung Chang&lt;br /&gt; 166. American Psycho – Bret Easton Ellis&lt;br /&gt; 167. Time's Arrow – Martin Amis&lt;br /&gt; 168. Mao II – Don DeLillo&lt;br /&gt; 169. Typical – Padgett Powell&lt;br /&gt; 170. Regeneration – Pat Barker&lt;br /&gt; 171. Downriver – Iain Sinclair&lt;br /&gt; 172. Señor Vivo and the Coca Lord – Louis de Bernieres&lt;br /&gt; 173. Wise Children – Angela Carter&lt;br /&gt; 174. Get Shorty – Elmore Leonard&lt;br /&gt; 175. Amongst Women – John McGahern&lt;br /&gt; 176. Vineland – Thomas Pynchon&lt;br /&gt; 177. Vertigo – W.G. Sebald&lt;br /&gt; 178. Stone Junction – Jim Dodge&lt;br /&gt; 179. The Music of Chance – Paul Auster&lt;br /&gt; 180. The Things They Carried – Tim O'Brien&lt;br /&gt; 181. A Home at the End of the World – Michael Cunningham&lt;br /&gt; 182. Like Life – Lorrie Moore&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;183. Possession – A.S. Byatt&lt;/b&gt;&lt;br /&gt; 184. The Buddha of Suburbia – Hanif Kureishi&lt;br /&gt; 185. The Midnight Examiner – William Kotzwinkle&lt;br /&gt; 186. A Disaffection – James Kelman&lt;br /&gt; 187. Sexing the Cherry – Jeanette Winterson&lt;br /&gt; 188. Moon Palace – Paul Auster&lt;br /&gt; 189. Billy Bathgate – E.L. Doctorow&lt;br /&gt; 190. Remains of the Day – Kazuo Ishiguro&lt;br /&gt; 191. The Melancholy of Resistance – László Krasznahorkai&lt;br /&gt; 192. The Temple of My Familiar – Alice Walker&lt;br /&gt; 193. The Trick is to Keep Breathing – Janice Galloway&lt;br /&gt; 194. The History of the Siege of Lisbon – José Saramago&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;195. Like Water for Chocolate – Laura Esquivel&lt;/b&gt;&lt;br /&gt; 196. A Prayer for Owen Meany – John Irving&lt;br /&gt; 197. London Fields – Martin Amis&lt;br /&gt; 198. The Book of Evidence – John Banville&lt;br /&gt; 199. Cat's Eye – Margaret Atwood&lt;br /&gt; 200. Foucault's Pendulum – Umberto Eco&lt;br /&gt; 201. The Beautiful Room is Empty – Edmund White&lt;br /&gt; 202. Wittgenstein's Mistress – David Markson&lt;br /&gt; &lt;b&gt;203. The Satanic Verses – Salman Rushdie&lt;/b&gt;&lt;br /&gt; 204. The Swimming-Pool Library – Alan Hollinghurst&lt;br /&gt; 205. Oscar and Lucinda – Peter Carey&lt;br /&gt; 206. Libra – Don DeLillo&lt;br /&gt; 207. The Player of Games – Iain M. Banks&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;208. Nervous Conditions – Tsitsi Dangarembga&lt;/b&gt;&lt;br /&gt; 209. The Long Dark Teatime of the Soul – Douglas Adams&lt;br /&gt; 210. Dirk Gently's Holistic Detective Agency – Douglas Adams&lt;br /&gt; 211. The Radiant Way – Margaret Drabble&lt;br /&gt; 212. The Afternoon of a Writer – Peter Handke&lt;br /&gt; 213. The Black Dahlia – James Ellroy&lt;br /&gt; 214. The Passion – Jeanette Winterson&lt;br /&gt; 215. The Pigeon – Patrick Süskind&lt;br /&gt; 216. The Child in Time – Ian McEwan&lt;br /&gt; 217. Cigarettes – Harry Mathews&lt;br /&gt; 218. The Bonfire of the Vanities – Tom Wolfe&lt;br /&gt; 219. The New York Trilogy – Paul Auster&lt;br /&gt; 220. World's End – T. Coraghessan Boyle&lt;br /&gt; 221. Enigma of Arrival – V.S. Naipaul&lt;br /&gt; 222. The Taebek Mountains – Jo Jung-rae&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;223. Beloved – Toni Morrison&lt;/b&gt;&lt;br /&gt; 224. Anagrams – Lorrie Moore&lt;br /&gt; 225. Matigari – Ngugi Wa Thiong'o&lt;br /&gt; 226. Marya – Joyce Carol Oates&lt;br /&gt; 227. Watchmen – Alan Moore &amp;amp; David Gibbons&lt;br /&gt; 228. The Old Devils – Kingsley Amis&lt;br /&gt; 229. Lost Language of Cranes – David Leavitt&lt;br /&gt; 230. An Artist of the Floating World – Kazuo Ishiguro&lt;br /&gt; 231. Extinction – Thomas Bernhard&lt;br /&gt; 232. Foe – J.M. Coetzee&lt;br /&gt; 233. The Drowned and the Saved – Primo Levi&lt;br /&gt; 234. Reasons to Live – Amy Hempel&lt;br /&gt; 235. The Parable of the Blind – Gert Hofmann&lt;br /&gt; 236. Love in the Time of Cholera – Gabriel García Márquez&lt;br /&gt; 237. Oranges Are Not the Only Fruit – Jeanette Winterson&lt;br /&gt; 238. The Cider House Rules – John Irving&lt;br /&gt; 239. A Maggot – John Fowles&lt;br /&gt; 240. Less Than Zero – Bret Easton Ellis&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;241. Contact – Carl Sagan&lt;/b&gt; &lt;b style="font-weight: bold;"&gt; &lt;/b&gt;&lt;div&gt;&lt;b style="font-weight: bold;"&gt;242. The Handmaid's Tale – Margaret Atwood&lt;/b&gt;&lt;br /&gt; 243. Perfume – Patrick Süskind&lt;br /&gt; 244. Old Masters – Thomas Bernhard&lt;br /&gt; 245. White Noise – Don DeLillo&lt;br /&gt; 246. Queer – William Burroughs&lt;br /&gt; 247. Hawksmoor – Peter Ackroyd&lt;br /&gt; 248. Legend – David Gemmell&lt;br /&gt; 249. Dictionary of the Khazars – Milorad Pavi?&lt;br /&gt; 250. The Bus Conductor Hines – James Kelman&lt;br /&gt; 251. The Year of the Death of Ricardo Reis – José Saramago&lt;br /&gt; 252. The Lover – Marguerite Duras&lt;br /&gt; 253. Empire of the Sun – J.G. Ballard&lt;br /&gt; 254. The Wasp Factory – Iain Banks&lt;br /&gt; 255. Nights at the Circus – Angela Carter&lt;br /&gt; 256. The Unbearable Lightness of Being – Milan Kundera&lt;br /&gt; 257. Blood and Guts in High School – Kathy Acker&lt;br /&gt; 258. Neuromancer – William Gibson&lt;br /&gt; 259. Flaubert's Parrot – Julian Barnes&lt;br /&gt; 260. Money: A Suicide Note – Martin Amis&lt;br /&gt; 261. Shame – Salman Rushdie&lt;br /&gt; 262. Worstward Ho – Samuel Beckett&lt;br /&gt; 263. Fools of Fortune – William Trevor&lt;br /&gt; 264. La Brava – Elmore Leonard&lt;br /&gt; 265. Waterland – Graham Swift&lt;br /&gt; 266. The Life and Times of Michael K – J.M. Coetzee&lt;br /&gt; 267. The Diary of Jane Somers – Doris Lessing&lt;br /&gt; 268. The Piano Teacher – Elfriede Jelinek&lt;br /&gt; 269. The Sorrow of Belgium – Hugo Claus&lt;br /&gt; 270. If Not Now, When? – Primo Levi&lt;br /&gt; 271. A Boy's Own Story – Edmund White&lt;br /&gt; 272. The Color Purple – Alice Walker&lt;br /&gt; 273. Wittgenstein's Nephew – Thomas Bernhard&lt;br /&gt; 274. A Pale View of Hills – Kazuo Ishiguro&lt;br /&gt; 275. Schindler's Ark – Thomas Keneally&lt;br /&gt; 276. The House of the Spirits – Isabel Allende&lt;br /&gt; 277. The Newton Letter – John Banville&lt;br /&gt; 278. On the Black Hill – Bruce Chatwin&lt;br /&gt; 279. Concrete – Thomas Bernhard&lt;br /&gt; 280. The Names – Don DeLillo&lt;br /&gt; 281. Rabbit is Rich – John Updike&lt;br /&gt; 282. Lanark: A Life in Four Books – Alasdair Gray&lt;br /&gt; 283. The Comfort of Strangers – Ian McEwan&lt;br /&gt; 284. July's People – Nadine Gordimer&lt;br /&gt; 285. Summer in Baden-Baden – Leonid Tsypkin&lt;br /&gt; 286. Broken April – Ismail Kadare&lt;br /&gt; 287. Waiting for the Barbarians – J.M. Coetzee&lt;br /&gt; 288. Midnight's Children – Salman Rushdie&lt;br /&gt; 289. Rites of Passage – William Golding&lt;br /&gt; 290. Rituals – Cees Nooteboom&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 291. Confederacy of Dunces – John Kennedy Toole&lt;/b&gt;&lt;br /&gt; 292. City Primeval – Elmore Leonard&lt;br /&gt; 293. The Name of the Rose – Umberto Eco&lt;br /&gt; 294. The Book of Laughter and Forgetting – Milan Kundera&lt;br /&gt; 295. Smiley's People – John Le Carré&lt;br /&gt; 296. Shikasta – Doris Lessing&lt;br /&gt; 297. A Bend in the River – V.S. Naipaul&lt;br /&gt; 298. Burger's Daughter - Nadine Gordimer&lt;br /&gt; 299. The Safety Net – Heinrich Böll&lt;br /&gt; 300. If On a Winter's Night a Traveler – Italo Calvino&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 301. The Hitchhiker's Guide to the Galaxy – Douglas Adams&lt;/b&gt;&lt;br /&gt; 302. The Cement Garden – Ian McEwan&lt;br /&gt; 303. The World According to Garp – John Irving&lt;br /&gt; 304. Life: A User's Manual – Georges Perec&lt;br /&gt; 305. The Sea, The Sea – Iris Murdoch&lt;br /&gt; 306. The Singapore Grip – J.G. Farrell&lt;br /&gt; 307. Yes – Thomas Bernhard&lt;br /&gt; 308. The Virgin in the Garden – A.S. Byatt&lt;br /&gt; 309. In the Heart of the Country – J.M. Coetzee&lt;br /&gt; 310. The Passion of New Eve – Angela Carter&lt;br /&gt; 311. Delta of Venus – Anaïs Nin&lt;br /&gt; 312. The Shining – Stephen King&lt;br /&gt; 313. Dispatches – Michael Herr&lt;br /&gt; 314. Petals of Blood – Ngugi Wa Thiong'o&lt;br /&gt; 315. Song of Solomon – Toni Morrison&lt;br /&gt; 316. The Hour of the Star – Clarice Lispector&lt;br /&gt; 317. The Left-Handed Woman – Peter Handke&lt;br /&gt; 318. Ratner's Star – Don DeLillo&lt;br /&gt; 319. The Public Burning – Robert Coover&lt;br /&gt; 320. Interview With the Vampire – Anne Rice&lt;br /&gt; 321. Cutter and Bone – Newton Thornburg&lt;br /&gt; 322. Amateurs – Donald Barthelme&lt;br /&gt; 323. Patterns of Childhood – Christa Wolf&lt;br /&gt; 324. Autumn of the Patriarch – Gabriel García Márquez&lt;br /&gt; 325. W, or the Memory of Childhood – Georges Perec&lt;br /&gt; 326. A Dance to the Music of Time – Anthony Powell&lt;br /&gt; 327. Grimus – Salman Rushdie&lt;br /&gt; 328. The Dead Father – Donald Barthelme&lt;br /&gt; 329. Fateless – Imre Kertész&lt;br /&gt; 330. Willard and His Bowling Trophies – Richard Brautigan&lt;br /&gt; 331. High Rise – J.G. Ballard&lt;br /&gt; 332. Humboldt's Gift – Saul Bellow&lt;br /&gt; 333. Dead Babies – Martin Amis&lt;br /&gt; 334. Correction – Thomas Bernhard&lt;br /&gt; 335. Ragtime – E.L. Doctorow&lt;br /&gt; 336. The Fan Man – William Kotzwinkle&lt;br /&gt; 337. Dusklands – J.M. Coetzee&lt;br /&gt; 338. The Lost Honor of Katharina Blum – Heinrich Böll&lt;br /&gt; 339. Tinker Tailor Soldier Spy – John Le Carré&lt;br /&gt; 340. Breakfast of Champions – Kurt Vonnegut, Jr.&lt;br /&gt; 341. Fear of Flying – Erica Jong&lt;br /&gt; 342. A Question of Power – Bessie Head&lt;br /&gt; 343. The Siege of Krishnapur – J.G. Farrell&lt;br /&gt; 344. The Castle of Crossed Destinies – Italo Calvino&lt;br /&gt; 345. Crash – J.G. Ballard&lt;br /&gt; 346. The Honorary Consul – Graham Greene&lt;br /&gt; 347. Gravity's Rainbow – Thomas Pynchon&lt;br /&gt; 348. The Black Prince – Iris Murdoch&lt;br /&gt; 349. Sula – Toni Morrison&lt;br /&gt; 350. Invisible Cities – Italo Calvino&lt;br /&gt; 351. The Breast – Philip Roth&lt;br /&gt; 352. The Summer Book – Tove Jansson&lt;br /&gt; 353. G – John Berger&lt;br /&gt; 354. Surfacing – Margaret Atwood&lt;br /&gt; 355. House Mother Normal – B.S. Johnson&lt;br /&gt; 356. In A Free State – V.S. Naipaul&lt;br /&gt; 357. The Book of Daniel – E.L. Doctorow&lt;br /&gt; 358. Fear and Loathing in Las Vegas – Hunter S. Thompson&lt;br /&gt; 359. Group Portrait With Lady – Heinrich Böll&lt;br /&gt; 360. The Wild Boys – William Burroughs&lt;br /&gt; 361. Rabbit Redux – John Updike&lt;br /&gt; 362. The Sea of Fertility – Yukio Mishima&lt;br /&gt; 363. The Driver's Seat – Muriel Spark&lt;br /&gt; 364. The Ogre – Michael Tournier&lt;br /&gt; 365. The Bluest Eye – Toni Morrison&lt;br /&gt; 366. Goalie's Anxiety at the Penalty Kick – Peter Handke&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;367. I Know Why the Caged Bird Sings – Maya Angelou&lt;/b&gt;&lt;br /&gt; 368. Mercier et Camier – Samuel Beckett&lt;br /&gt; 369. Troubles – J.G. Farrell&lt;br /&gt; 370. Jahrestage – Uwe Johnson&lt;br /&gt; 371. The Atrocity Exhibition – J.G. Ballard&lt;br /&gt; 372. Tent of Miracles – Jorge Amado&lt;br /&gt; 373. Pricksongs and Descants – Robert Coover&lt;br /&gt; 374. Blind Man With a Pistol – Chester Hines&lt;br /&gt; 375. Slaughterhouse-five – Kurt Vonnegut, Jr.&lt;br /&gt; 376. The French Lieutenant's Woman – John Fowles&lt;br /&gt; 377. The Green Man – Kingsley Amis&lt;br /&gt; 378. Portnoy's Complaint – Philip Roth&lt;br /&gt; 379. The Godfather – Mario Puzo&lt;br /&gt; 380. Ada – Vladimir Nabokov&lt;br /&gt; 381. Them – Joyce Carol Oates&lt;br /&gt; 382. A Void/Avoid – Georges Perec&lt;br /&gt; 383. Eva Trout – Elizabeth Bowen&lt;br /&gt; 384. Myra Breckinridge – Gore Vidal&lt;br /&gt; 385. The Nice and the Good – Iris Murdoch&lt;br /&gt; 386. Belle du Seigneur – Albert Cohen&lt;br /&gt; 387. Cancer Ward – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; 388. The First Circle – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; 389. 2001: A Space Odyssey – Arthur C. Clarke&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;390. Do Androids Dream of Electric Sheep? – Philip K. Dick&lt;/b&gt;&lt;br /&gt; 391. Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry&lt;br /&gt; 392. The German Lesson – Siegfried Lenz&lt;br /&gt; 393. In Watermelon Sugar – Richard Brautigan&lt;br /&gt; 394. A Kestrel for a Knave – Barry Hines&lt;br /&gt; 395. The Quest for Christa T. – Christa Wolf&lt;br /&gt; 396. Chocky – John Wyndham&lt;br /&gt; 397. The Electric Kool-Aid Acid Test – Tom Wolfe&lt;br /&gt; 398. The Cubs and Other Stories – Mario Vargas Llosa&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;399. One Hundred Years of Solitude - Gabriel García Márquez&lt;/b&gt;&lt;br /&gt; 400. The Master and Margarita – Mikhail Bulgakov&lt;br /&gt; 401. Pilgrimage – Dorothy Richardson&lt;br /&gt; 402. The Joke – Milan Kundera&lt;br /&gt; 403. No Laughing Matter – Angus Wilson&lt;br /&gt; 404. The Third Policeman – Flann O'Brien&lt;br /&gt; 405. A Man Asleep – Georges Perec&lt;br /&gt; 406. The Birds Fall Down – Rebecca West&lt;br /&gt; 407. Trawl – B.S. Johnson&lt;br /&gt; 408. In Cold Blood – Truman Capote&lt;br /&gt; 409. The Magus – John Fowles&lt;br /&gt; 410. The Vice-Consul – Marguerite Duras&lt;br /&gt; 411. Wide Sargasso Sea – Jean Rhys&lt;br /&gt; 412. Giles Goat-Boy – John Barth&lt;br /&gt; 413. The Crying of Lot 49 – Thomas Pynchon&lt;br /&gt; 414. Things – Georges Perec&lt;br /&gt; 415. The River Between – Ngugi wa Thiong'o&lt;br /&gt; 416. August is a Wicked Month – Edna O'Brien&lt;br /&gt; 417. God Bless You, Mr. Rosewater – Kurt Vonnegut&lt;br /&gt; 418. Everything That Rises Must Converge – Flannery O'Connor&lt;br /&gt; 419. The Passion According to G.H. – Clarice Lispector&lt;br /&gt; 420. Sometimes a Great Notion – Ken Kesey&lt;br /&gt; 421. Come Back, Dr. Caligari – Donald Bartholme&lt;br /&gt; 422. Albert Angelo – B.S. Johnson&lt;br /&gt; 423. Arrow of God – Chinua Achebe&lt;br /&gt; 424. The Ravishing of Lol V. Stein – Marguerite Duras&lt;br /&gt; 425. Herzog – Saul Bellow&lt;br /&gt; 426. V. – Thomas Pynchon&lt;br /&gt; 427. Cat's Cradle – Kurt Vonnegut&lt;br /&gt; 428. The Graduate – Charles Webb&lt;br /&gt; 429. Manon des Sources – Marcel Pagnol&lt;br /&gt; 430. The Spy Who Came in from the Cold – John Le Carré&lt;br /&gt; 431. The Girls of Slender Means – Muriel Spark&lt;br /&gt; 432. Inside Mr. Enderby – Anthony Burgess&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 433. The Bell Jar – Sylvia Plath&lt;/b&gt;&lt;br /&gt; 434. One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; 435. The Collector – John Fowles&lt;br /&gt; 436. One Flew Over the Cuckoo's Nest – Ken Kesey&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;437. A Clockwork Orange – Anthony Burgess&lt;/b&gt;&lt;br /&gt; 438. Pale Fire – Vladimir Nabokov&lt;br /&gt; 439. The Drowned World – J.G. Ballard&lt;br /&gt; 440. The Golden Notebook – Doris Lessing&lt;br /&gt; 441. Labyrinths – Jorg Luis Borges&lt;br /&gt; 442. Girl With Green Eyes – Edna O'Brien&lt;br /&gt; 443. The Garden of the Finzi-Continis – Giorgio Bassani&lt;br /&gt; 444. Stranger in a Strange Land – Robert Heinlein&lt;br /&gt; 445. Franny and Zooey – J.D. Salinger&lt;br /&gt; 446. A Severed Head – Iris Murdoch&lt;br /&gt; 447. Faces in the Water – Janet Frame&lt;br /&gt; 448. Solaris – Stanislaw Lem&lt;br /&gt; 449. Cat and Mouse – Günter Grass&lt;br /&gt; 450. The Prime of Miss Jean Brodie – Muriel Spark&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;451. Catch-22 – Joseph Heller&lt;/b&gt;&lt;br /&gt; 452. The Violent Bear it Away – Flannery O'Connor&lt;br /&gt; 453. How It Is – Samuel Beckett&lt;br /&gt; 454. Our Ancestors – Italo Calvino&lt;br /&gt; 455. The Country Girls – Edna O'Brien&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;456. To Kill a Mockingbird – Harper Lee&lt;/b&gt;&lt;br /&gt; 457. Rabbit, Run – John Updike&lt;br /&gt; 458. Promise at Dawn – Romain Gary&lt;br /&gt; 459. Cider With Rosie – Laurie Lee&lt;br /&gt; 460. Billy Liar – Keith Waterhouse&lt;br /&gt; 461. Naked Lunch – William Burroughs&lt;br /&gt; 462. The Tin Drum – Günter Grass&lt;br /&gt; 463. Absolute Beginners – Colin MacInnes&lt;br /&gt; 464. Henderson the Rain King – Saul Bellow&lt;br /&gt; 465. Memento Mori – Muriel Spark&lt;br /&gt; 466. Billiards at Half-Past Nine – Heinrich Böll&lt;br /&gt; 467. Breakfast at Tiffany's – Truman Capote&lt;br /&gt; 468. The Leopard – Giuseppe Tomasi di Lampedusa&lt;br /&gt; 469. Pluck the Bud and Destroy the Offspring – Kenzaburo Oe&lt;br /&gt; 470. A Town Like Alice – Nevil Shute&lt;br /&gt; 471. The Bitter Glass – Eilís Dillon&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;472. Things Fall Apart – Chinua Achebe&lt;/b&gt;&lt;br /&gt; 473. Saturday Night and Sunday Morning – Alan Sillitoe&lt;br /&gt; 474. Mrs. 'Arris Goes to Paris – Paul Gallico&lt;br /&gt; 475. Borstal Boy – Brendan Behan&lt;br /&gt; 476. The End of the Road – John Barth&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;477. The Once and Future King – T.H. White&lt;/b&gt;&lt;br /&gt; 478. The Bell – Iris Murdoch&lt;br /&gt; 479. Jealousy – Alain Robbe-Grillet&lt;br /&gt; 480. Voss – Patrick White&lt;br /&gt; 481. The Midwich Cuckoos – John Wyndham&lt;br /&gt; 482. Blue Noon – Georges Bataille&lt;br /&gt; 483. Homo Faber – Max Frisch&lt;br /&gt; 484. On the Road – Jack Kerouac&lt;br /&gt; 485. Pnin – Vladimir Nabokov&lt;br /&gt; 486. Doctor Zhivago – Boris Pasternak&lt;br /&gt; 487. The Wonderful "O" – James Thurber&lt;br /&gt; 488. Justine – Lawrence Durrell&lt;br /&gt; 489. Giovanni's Room – James Baldwin&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;490. The Lonely Londoners – Sam Selvon&lt;/b&gt;&lt;br /&gt; 491. The Roots of Heaven – Romain Gary&lt;br /&gt; 492. Seize the Day – Saul Bellow&lt;br /&gt; 493. The Floating Opera – John Barth&lt;br /&gt; 494. The Lord of the Rings – J.R.R. Tolkien&lt;br /&gt; 495. The Talented Mr. Ripley – Patricia Highsmith&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;496. Lolita – Vladimir Nabokov&lt;/b&gt;&lt;br /&gt; 497. A World of Love – Elizabeth Bowen&lt;br /&gt; 498. The Trusting and the Maimed – James Plunkett&lt;br /&gt; 499. The Quiet American – Graham Greene&lt;br /&gt; 500. The Last Temptation of Christ – Nikos Kazantzákis&lt;br /&gt; 501. The Recognitions – William Gaddis&lt;br /&gt; 502. The Ragazzi – Pier Paulo Pasolini&lt;br /&gt; 503. Bonjour Tristesse – Françoise Sagan&lt;br /&gt; 504. I'm Not Stiller – Max Frisch&lt;br /&gt; 505. Self Condemned – Wyndham Lewis&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;506. The Story of O – Pauline Réage&lt;/b&gt;&lt;br /&gt; 507. A Ghost at Noon – Alberto Moravia&lt;br /&gt; 508. Lord of the Flies – William Golding&lt;br /&gt; 509. Under the Net – Iris Murdoch&lt;br /&gt; 510. The Go-Between – L.P. Hartley&lt;br /&gt; 511. The Long Goodbye – Raymond Chandler&lt;br /&gt; 512. The Unnamable – Samuel Beckett&lt;br /&gt; 513. Watt – Samuel Beckett&lt;br /&gt; 514. Lucky Jim – Kingsley Amis&lt;br /&gt; 515. Junkie – William Burroughs&lt;br /&gt; 516. The Adventures of Augie March – Saul Bellow&lt;br /&gt; 517. Go Tell It on the Mountain – James Baldwin&lt;br /&gt; 518. Casino Royale – Ian Fleming&lt;br /&gt; 519. The Judge and His Hangman – Friedrich Dürrenmatt&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;520. Invisible Man – Ralph Ellison&lt;/b&gt;&lt;br /&gt; 521. The Old Man and the Sea – Ernest Hemingway&lt;br /&gt; 522. Wise Blood – Flannery O'Connor&lt;br /&gt; 523. The Killer Inside Me – Jim Thompson&lt;br /&gt; 524. Memoirs of Hadrian – Marguerite Yourcenar&lt;br /&gt; 525. Malone Dies – Samuel Beckett&lt;br /&gt; 526. Day of the Triffids – John Wyndham&lt;br /&gt; 527. Foundation – Isaac Asimov&lt;br /&gt; 528. The Opposing Shore – Julien Gracq&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 529. The Catcher in the Rye – J.D. Salinger&lt;/b&gt;&lt;br /&gt; 530. The Rebel – Albert Camus&lt;br /&gt; 531. Molloy – Samuel Beckett&lt;br /&gt; 532. The End of the Affair – Graham Greene&lt;br /&gt; 533. The Abbot C – Georges Bataille&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 534. The Labyrinth of Solitude – Octavio Paz&lt;/b&gt;&lt;br /&gt; 535. The Third Man – Graham Greene&lt;br /&gt; 536. The 13 Clocks – James Thurber&lt;br /&gt; 537. Gormenghast – Mervyn Peake&lt;br /&gt; 538. The Grass is Singing – Doris Lessing&lt;br /&gt; 539. I, Robot – Isaac Asimov&lt;br /&gt; 540. The Moon and the Bonfires – Cesare Pavese&lt;br /&gt; 541. The Garden Where the Brass Band Played – Simon Vestdijk&lt;br /&gt; 542. Love in a Cold Climate – Nancy Mitford&lt;br /&gt; 543. The Case of Comrade Tulayev – Victor Serge&lt;br /&gt; 544. The Heat of the Day – Elizabeth Bowen&lt;br /&gt; 545. Kingdom of This World – Alejo Carpentier&lt;br /&gt; 546. The Man With the Golden Arm – Nelson Algren&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;547. Nineteen Eighty-Four – George Orwell&lt;/b&gt;&lt;br /&gt; 548. All About H. Hatterr – G.V. Desani&lt;br /&gt; 549. Disobedience – Alberto Moravia&lt;br /&gt; 550. Death Sentence – Maurice Blanchot&lt;br /&gt; 551. The Heart of the Matter – Graham Greene&lt;br /&gt; &lt;b&gt;552. Cry, the Beloved Country – Alan Paton&lt;/b&gt;&lt;br /&gt; 553. Doctor Faustus – Thomas Mann&lt;br /&gt; 554. The Victim – Saul Bellow&lt;br /&gt; 555. Exercises in Style – Raymond Queneau&lt;br /&gt; 556. If This Is a Man – Primo Levi&lt;br /&gt; 557. Under the Volcano – Malcolm Lowry&lt;br /&gt; 558. The Path to the Nest of Spiders – Italo Calvino&lt;br /&gt; 559. The Plague – Albert Camus&lt;br /&gt; 560. Back – Henry Green&lt;br /&gt; 561. Titus Groan – Mervyn Peake&lt;br /&gt; 562. The Bridge on the Drina – Ivo Andri?&lt;br /&gt; 563. Brideshead Revisited – Evelyn Waugh&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 564. Animal Farm – George Orwell&lt;/b&gt;&lt;br /&gt; 565. Cannery Row – John Steinbeck&lt;br /&gt; 566. The Pursuit of Love – Nancy Mitford&lt;br /&gt; 567. Loving – Henry Green&lt;br /&gt; 568. Arcanum 17 – André Breton&lt;br /&gt; 569. Christ Stopped at Eboli – Carlo Levi&lt;br /&gt; 570. The Razor's Edge – William Somerset Maugham&lt;br /&gt; 571. Transit – Anna Seghers&lt;br /&gt; 572. Ficciones – Jorge Luis Borges&lt;br /&gt; 573. Dangling Man – Saul Bellow&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 574. The Little Prince – Antoine de Saint-Exupéry&lt;/b&gt;&lt;br /&gt; 575. Caught – Henry Green&lt;br /&gt; 576. The Glass Bead Game – Herman Hesse&lt;br /&gt; 577. Embers – Sandor Marai&lt;br /&gt; 578. Go Down, Moses – William Faulkner&lt;br /&gt; 579. The Outsider – Albert Camus&lt;br /&gt; 580. In Sicily – Elio Vittorini&lt;br /&gt; 581. The Poor Mouth – Flann O'Brien&lt;br /&gt; 582. The Living and the Dead – Patrick White&lt;br /&gt; 583. Hangover Square – Patrick Hamilton&lt;br /&gt; 584. Between the Acts – Virginia Woolf&lt;br /&gt; 585. The Hamlet – William Faulkner&lt;br /&gt; 586. Farewell My Lovely – Raymond Chandler&lt;br /&gt; 587. For Whom the Bell Tolls – Ernest Hemingway&lt;br /&gt; 588. Native Son – Richard Wright&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;589. The Power and the Glory – Graham Greene&lt;/b&gt;&lt;br /&gt; 590. The Tartar Steppe – Dino Buzzati&lt;br /&gt; 591. Party Going – Henry Green&lt;br /&gt; 592. The Grapes of Wrath – John Steinbeck&lt;br /&gt; 593. Finnegans Wake – James Joyce&lt;br /&gt; 594. At Swim-Two-Birds – Flann O'Brien&lt;br /&gt; 595. Coming Up for Air – George Orwell&lt;br /&gt; 596. Goodbye to Berlin – Christopher Isherwood&lt;br /&gt; 597. Tropic of Capricorn – Henry Miller&lt;br /&gt; 598. Good Morning, Midnight – Jean Rhys&lt;br /&gt; 599. The Big Sleep – Raymond Chandler&lt;br /&gt; 600. After the Death of Don Juan – Sylvie Townsend Warner&lt;br /&gt; &lt;b&gt;601. Miss Pettigrew Lives for a Day – Winifred Watson&lt;/b&gt;&lt;br /&gt; 602. Nausea – Jean-Paul Sartre&lt;br /&gt; 603. Rebecca – Daphne du Maurier&lt;br /&gt; 604. Cause for Alarm – Eric Ambler&lt;br /&gt; 605. Brighton Rock – Graham Greene&lt;br /&gt; 606. U.S.A. – John Dos Passos&lt;br /&gt; 607. Murphy – Samuel Beckett&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 608. Of Mice and Men – John Steinbeck&lt;/b&gt; &lt;b style="font-weight: bold;"&gt; &lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b style="font-weight: bold;"&gt;609. Their Eyes Were Watching God – Zora Neale Hurston&lt;/b&gt;&lt;br /&gt; 610. The Hobbit – J.R.R. Tolkien&lt;br /&gt; 611. The Years – Virginia Woolf&lt;br /&gt; 612. In Parenthesis – David Jones&lt;br /&gt; 613. The Revenge for Love – Wyndham Lewis&lt;br /&gt; 614. Out of Africa – Isak Dineson (Karen Blixen)&lt;br /&gt; 615. To Have and Have Not – Ernest Hemingway&lt;br /&gt; 616. Summer Will Show – Sylvia Townsend Warner&lt;br /&gt; 617. Eyeless in Gaza – Aldous Huxley&lt;br /&gt; 618. The Thinking Reed – Rebecca West&lt;br /&gt; 619. Gone With the Wind – Margaret Mitchell&lt;br /&gt; 620. Keep the Aspidistra Flying – George Orwell&lt;br /&gt; 621. Wild Harbour – Ian MacPherson&lt;br /&gt; 622. Absalom, Absalom! – William Faulkner&lt;br /&gt; 623. At the Mountains of Madness – H.P. Lovecraft&lt;br /&gt; 624. Nightwood – Djuna Barnes&lt;br /&gt; 625. Independent People – Halldór Laxness&lt;br /&gt; 626. Auto-da-Fé – Elias Canetti&lt;br /&gt; 627. The Last of Mr. Norris – Christopher Isherwood&lt;br /&gt; 628. They Shoot Horses, Don't They? – Horace McCoy&lt;br /&gt; 629. The House in Paris – Elizabeth Bowen&lt;br /&gt; 630. England Made Me – Graham Greene&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;631. Burmese Days – George Orwell&lt;/b&gt;&lt;br /&gt; 632. The Nine Tailors – Dorothy L. Sayers&lt;br /&gt; 633. Threepenny Novel – Bertolt Brecht&lt;br /&gt; 634. Novel With Cocaine – M. Ageyev&lt;br /&gt; 635. The Postman Always Rings Twice – James M. Cain&lt;br /&gt; 636. Tropic of Cancer – Henry Miller&lt;br /&gt; 637. A Handful of Dust – Evelyn Waugh&lt;br /&gt; 638. Tender is the Night – F. Scott Fitzgerald&lt;br /&gt; 639. Thank You, Jeeves – P.G. Wodehouse&lt;br /&gt; 640. Call it Sleep – Henry Roth&lt;br /&gt; 641. Miss Lonelyhearts – Nathanael West&lt;br /&gt; 642. Murder Must Advertise – Dorothy L. Sayers&lt;br /&gt; 643. The Autobiography of Alice B. Toklas – Gertrude Stein&lt;br /&gt; 644. Testament of Youth – Vera Brittain&lt;br /&gt; 645. A Day Off – Storm Jameson&lt;br /&gt; 646. The Man Without Qualities – Robert Musil&lt;br /&gt; 647. A Scots Quair (Sunset Song) – Lewis Grassic Gibbon&lt;br /&gt; 648. Journey to the End of the Night – Louis-Ferdinand Céline&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;649. Brave New World – Aldous Huxley&lt;/b&gt;&lt;br /&gt; 650. Cold Comfort Farm – Stella Gibbons&lt;br /&gt; 651. To the North – Elizabeth Bowen&lt;br /&gt; 652. The Thin Man – Dashiell Hammett&lt;br /&gt; 653. The Radetzky March – Joseph Roth&lt;br /&gt; 654. The Waves – Virginia Woolf&lt;br /&gt; 655. The Glass Key – Dashiell Hammett&lt;br /&gt; 656. Cakes and Ale – W. Somerset Maugham&lt;br /&gt; 657. The Apes of God – Wyndham Lewis&lt;br /&gt; 658. Her Privates We – Frederic Manning&lt;br /&gt; 659. Vile Bodies – Evelyn Waugh&lt;br /&gt; 660. The Maltese Falcon – Dashiell Hammett&lt;br /&gt; 661. Hebdomeros – Giorgio de Chirico&lt;br /&gt; 662. Passing – Nella Larsen&lt;br /&gt; 663. A Farewell to Arms – Ernest Hemingway&lt;br /&gt; 664. Red Harvest – Dashiell Hammett&lt;br /&gt; 665. Living – Henry Green&lt;br /&gt; 666. The Time of Indifference – Alberto Moravia&lt;br /&gt; 667. All Quiet on the Western Front – Erich Maria Remarque&lt;br /&gt; 668. Berlin Alexanderplatz – Alfred Döblin&lt;br /&gt; 669. The Last September – Elizabeth Bowen&lt;br /&gt; 670. Harriet Hume – Rebecca West&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;671. The Sound and the Fury – William Faulkner&lt;/b&gt;&lt;br /&gt; 672. Les Enfants Terribles – Jean Cocteau&lt;br /&gt; 673. Look Homeward, Angel – Thomas Wolfe&lt;br /&gt; 674. Story of the Eye – Georges Bataille&lt;br /&gt; 675. Orlando – Virginia Woolf&lt;br /&gt; 676. Lady Chatterley's Lover – D.H. Lawrence&lt;br /&gt; 677. The Well of Loneliness – Radclyffe Hall&lt;br /&gt; 678. The Childermass – Wyndham Lewis&lt;br /&gt; 679. Quartet – Jean Rhys&lt;br /&gt; 680. Decline and Fall – Evelyn Waugh&lt;br /&gt; 681. Quicksand – Nella Larsen&lt;br /&gt; 682. Parade's End – Ford Madox Ford&lt;br /&gt; 683. Nadja – André Breton&lt;br /&gt; 684. Steppenwolf – Herman Hesse&lt;br /&gt; 685. Remembrance of Things Past – Marcel Proust&lt;br /&gt; 686. To The Lighthouse – Virginia Woolf&lt;br /&gt; 687. Tarka the Otter – Henry Williamson&lt;br /&gt; 688. Amerika – Franz Kafka&lt;br /&gt; &lt;b&gt;689. The Sun Also Rises – Ernest Hemingway&lt;/b&gt;&lt;br /&gt; 690. Blindness – Henry Green&lt;br /&gt; 691. The Castle – Franz Kafka&lt;br /&gt; 692. The Good Soldier --vejk – Jaroslav Ha--ek&lt;br /&gt; 693. The Plumed Serpent – D.H. Lawrence&lt;br /&gt; 694. One, None and a Hundred Thousand – Luigi Pirandello&lt;br /&gt; 695. The Murder of Roger Ackroyd – Agatha Christie&lt;br /&gt; 696. The Making of Americans – Gertrude Stein&lt;br /&gt; 697. Manhattan Transfer – John Dos Passos&lt;br /&gt; &lt;b&gt;698. Mrs. Dalloway – Virginia Woolf&lt;/b&gt;&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;699. The Great Gatsby – F. Scott Fitzgerald&lt;/b&gt;&lt;br /&gt; 700. The Counterfeiters – André Gide&lt;br /&gt; 701. The Trial – Franz Kafka&lt;br /&gt; 702. The Artamonov Business – Maxim Gorky&lt;br /&gt; 703. The Professor's House – Willa Cather&lt;br /&gt; 704. Billy Budd, Foretopman – Herman Melville&lt;br /&gt; 705. The Green Hat – Michael Arlen&lt;br /&gt; 706. The Magic Mountain – Thomas Mann&lt;br /&gt; 707. We – Yevgeny Zamyatin&lt;br /&gt; 708. A Passage to India – E.M. Forster&lt;br /&gt; 709. The Devil in the Flesh – Raymond Radiguet&lt;br /&gt; 710. Zeno's Conscience – Italo Svevo&lt;br /&gt; 711. Cane – Jean Toomer&lt;br /&gt; 712. Antic Hay – Aldous Huxley&lt;br /&gt; 713. Amok – Stefan Zweig&lt;br /&gt; 714. The Garden Party – Katherine Mansfield&lt;br /&gt; 715. The Enormous Room – E.E. Cummings&lt;br /&gt; 716. Jacob's Room – Virginia Woolf&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;717. Siddhartha – Herman Hesse&lt;/b&gt;&lt;br /&gt; 718. The Glimpses of the Moon – Edith Wharton&lt;br /&gt; 719. Life and Death of Harriett Frean – May Sinclair&lt;br /&gt; 720. The Last Days of Humanity – Karl Kraus&lt;br /&gt; 721. Aaron's Rod – D.H. Lawrence&lt;br /&gt; 722. Babbitt – Sinclair Lewis&lt;br /&gt; 723. Ulysses – James Joyce&lt;br /&gt; 724. The Fox – D.H. Lawrence&lt;br /&gt; 725. Crome Yellow – Aldous Huxley&lt;br /&gt; 726. The Age of Innocence – Edith Wharton&lt;br /&gt; 727. Main Street – Sinclair Lewis&lt;br /&gt; 728. Women in Love – D.H. Lawrence&lt;br /&gt; 729. Night and Day – Virginia Woolf&lt;br /&gt; 730. Tarr – Wyndham Lewis&lt;br /&gt; 731. The Return of the Soldier – Rebecca West&lt;br /&gt; 732. The Shadow Line – Joseph Conrad&lt;br /&gt; 733. Summer – Edith Wharton&lt;br /&gt; 734. Growth of the Soil – Knut Hamsen&lt;br /&gt; 735. Bunner Sisters – Edith Wharton&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;736. A Portrait of the Artist as a Young Man – James Joyce&lt;/b&gt;&lt;br /&gt; 737. Under Fire – Henri Barbusse&lt;br /&gt; 738. Rashomon – Akutagawa Ryunosuke&lt;br /&gt; 739. The Good Soldier – Ford Madox Ford&lt;br /&gt; 740. The Voyage Out – Virginia Woolf&lt;br /&gt; 741. Of Human Bondage – William Somerset Maugham&lt;br /&gt; 742. The Rainbow – D.H. Lawrence&lt;br /&gt; 743. The Thirty-Nine Steps – John Buchan&lt;br /&gt; 744. Kokoro – Natsume Soseki&lt;br /&gt; 745. Locus Solus – Raymond Roussel&lt;br /&gt; 746. Rosshalde – Herman Hesse&lt;br /&gt; 747. Tarzan of the Apes – Edgar Rice Burroughs&lt;br /&gt; 748. The Ragged Trousered Philanthropists – Robert Tressell&lt;br /&gt; 749. Sons and Lovers – D.H. Lawrence&lt;br /&gt; 750. Death in Venice – Thomas Mann&lt;br /&gt; 751. The Charwoman's Daughter – James Stephens&lt;br /&gt; &lt;b&gt;752. Ethan Frome – Edith Wharton&lt;/b&gt;&lt;br /&gt; 753. Fantômas – Marcel Allain and Pierre Souvestre&lt;br /&gt; 754. Howards End – E.M. Forster&lt;br /&gt; 755. Impressions of Africa – Raymond Roussel&lt;br /&gt; 756. Three Lives – Gertrude Stein&lt;br /&gt; 757. Martin Eden – Jack London&lt;br /&gt; 758. Strait is the Gate – André Gide&lt;br /&gt; 759. Tono-Bungay – H.G. Wells&lt;br /&gt; 760. The Inferno – Henri Barbusse&lt;br /&gt; 761. A Room With a View – E.M. Forster&lt;br /&gt; 762. The Iron Heel – Jack London&lt;br /&gt; 763. The Old Wives' Tale – Arnold Bennett&lt;br /&gt; 764. The House on the Borderland – William Hope Hodgson&lt;br /&gt; 765. Mother – Maxim Gorky&lt;br /&gt; 766. The Secret Agent – Joseph Conrad&lt;br /&gt; 767. The Jungle – Upton Sinclair&lt;br /&gt; 768. Young Törless – Robert Musil&lt;br /&gt; 769. The Forsyte Sage – John Galsworthy&lt;br /&gt; &lt;b&gt;770. The House of Mirth – Edith Wharton&lt;/b&gt;&lt;br /&gt; 771. Professor Unrat – Heinrich Mann&lt;br /&gt; 772. Where Angels Fear to Tread – E.M. Forster&lt;br /&gt; 773. Nostromo – Joseph Conrad&lt;br /&gt; 774. Hadrian the Seventh – Frederick Rolfe&lt;br /&gt; 775. The Golden Bowl – Henry James&lt;br /&gt; 776. The Ambassadors – Henry James&lt;br /&gt; 777. The Riddle of the Sands – Erskine Childers&lt;br /&gt; 778. The Immoralist – André Gide&lt;br /&gt; 779. The Wings of the Dove – Henry James&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 780. Heart of Darkness – Joseph Conrad&lt;/b&gt;&lt;br /&gt; 781. The Hound of the Baskervilles – Sir Arthur Conan Doyle&lt;br /&gt; 782. Buddenbrooks – Thomas Mann&lt;br /&gt; 783. Kim – Rudyard Kipling&lt;br /&gt; 784. Sister Carrie – Theodore Dreiser&lt;br /&gt; 785. Lord Jim – Joseph Conrad&lt;br /&gt;1800s&lt;br /&gt; 786. Some Experiences of an Irish R.M. – Somerville and Ross&lt;br /&gt; 787. The Stechlin – Theodore Fontane&lt;br /&gt; 788. The Awakening – Kate Chopin&lt;br /&gt; 789. The Turn of the Screw – Henry James&lt;br /&gt; 790. The War of the Worlds – H.G. Wells&lt;br /&gt; 791. The Invisible Man – H.G. Wells&lt;br /&gt; 792. What Maisie Knew – Henry James&lt;br /&gt; 793. Fruits of the Earth – André Gide&lt;br /&gt; 794. Dracula – Bram Stoker&lt;br /&gt; 795. Quo Vadis – Henryk Sienkiewicz&lt;br /&gt; 796. The Island of Dr. Moreau – H.G. Wells&lt;br /&gt; 797. The Time Machine – H.G. Wells&lt;br /&gt; 798. Effi Briest – Theodore Fontane&lt;br /&gt; 799. Jude the Obscure – Thomas Hardy&lt;br /&gt; 800. The Real Charlotte – Somerville and Ross&lt;br /&gt;&lt;b&gt; 801. The Yellow Wallpaper – Charlotte Perkins Gilman&lt;/b&gt;&lt;br /&gt; 802. Born in Exile – George Gissing&lt;br /&gt; 803. Diary of a Nobody – George &amp;amp; Weedon Grossmith&lt;br /&gt; 804. The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle&lt;br /&gt; 805. News from Nowhere – William Morris&lt;br /&gt; 806. New Grub Street – George Gissing&lt;br /&gt; 807. Gösta Berling's Saga – Selma Lagerlöf&lt;br /&gt; 808. Tess of the D'Urbervilles – Thomas Hardy&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 809. The Picture of Dorian Gray – Oscar Wilde&lt;/b&gt;&lt;br /&gt; 810. The Kreutzer Sonata – Leo Tolstoy&lt;br /&gt; 811. La Bête Humaine – Émile Zola&lt;br /&gt; 812. By the Open Sea – August Strindberg&lt;br /&gt; 813. Hunger – Knut Hamsun&lt;br /&gt; 814. The Master of Ballantrae – Robert Louis Stevenson&lt;br /&gt; 815. Pierre and Jean – Guy de Maupassant&lt;br /&gt; 816. Fortunata and Jacinta – Benito Pérez Galdés&lt;br /&gt; 817. The People of Hemsö – August Strindberg&lt;br /&gt; 818. The Woodlanders – Thomas Hardy&lt;br /&gt; 819. She – H. Rider Haggard&lt;br /&gt; 820. The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson&lt;br /&gt; 821. The Mayor of Casterbridge – Thomas Hardy&lt;br /&gt; 822. Kidnapped – Robert Louis Stevenson&lt;br /&gt; 823. King Solomon's Mines – H. Rider Haggard&lt;br /&gt; 824. Germinal – Émile Zola&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;825. The Adventures of Huckleberry Finn – Mark Twain&lt;/b&gt;&lt;br /&gt; 826. Bel-Ami – Guy de Maupassant&lt;br /&gt; 827. Marius the Epicurean – Walter Pater&lt;br /&gt; 828. Against the Grain – Joris-Karl Huysmans&lt;br /&gt; 829. The Death of Ivan Ilyich – Leo Tolstoy&lt;br /&gt; 830. A Woman's Life – Guy de Maupassant&lt;br /&gt; 831. Treasure Island – Robert Louis Stevenson&lt;br /&gt; 832. The House by the Medlar Tree – Giovanni Verga&lt;br /&gt; 833. The Portrait of a Lady – Henry James&lt;br /&gt; 834. Bouvard and Pécuchet – Gustave Flaubert&lt;br /&gt; 835. Ben-Hur – Lew Wallace&lt;br /&gt; 836. Nana – Émile Zola&lt;br /&gt; 837. The Brothers Karamazov – Fyodor Dostoevsky&lt;br /&gt; 838. The Red Room – August Strindberg&lt;br /&gt; 839. Return of the Native – Thomas Hardy&lt;br /&gt; 840. Anna Karenina – Leo Tolstoy&lt;br /&gt; 841. Drunkard – Émile Zola&lt;br /&gt; 842. Virgin Soil – Ivan Turgenev&lt;br /&gt; 843. Daniel Deronda – George Eliot&lt;br /&gt; 844. The Hand of Ethelberta – Thomas Hardy&lt;br /&gt; 845. The Temptation of Saint Anthony – Gustave Flaubert&lt;br /&gt; 846. Far from the Madding Crowd – Thomas Hardy&lt;br /&gt; 847. The Enchanted Wanderer – Nicolai Leskov&lt;br /&gt; 848. Around the World in Eighty Days – Jules Verne&lt;br /&gt; 849. In a Glass Darkly – Sheridan Le Fanu&lt;br /&gt; 850. The Devils – Fyodor Dostoevsky&lt;br /&gt; 851. Erewhon – Samuel Butler&lt;br /&gt; 852. Spring Torrents – Ivan Turgenev&lt;br /&gt; 853. Middlemarch – George Eliot&lt;br /&gt; 854. Through the Looking Glass, and What Alice Found There – Lewis Carroll&lt;br /&gt; 855. King Lear of the Steppes – Ivan Turgenev&lt;br /&gt; 856. He Knew He Was Right – Anthony Trollope&lt;br /&gt; 857. War and Peace – Leo Tolstoy&lt;br /&gt; 858. Sentimental Education – Gustave Flaubert&lt;br /&gt; 859. Phineas Finn – Anthony Trollope&lt;br /&gt; 860. Maldoror – Comte de Lautréaumont&lt;br /&gt; 861. The Idiot – Fyodor Dostoevsky&lt;br /&gt; 862. The Moonstone – Wilkie Collins&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 863. Little Women – Louisa May Alcott&lt;/b&gt;&lt;br /&gt; 864. Thérèse Raquin – Émile Zola&lt;br /&gt; 865. The Last Chronicle of Barset – Anthony Trollope&lt;br /&gt; 866. Journey to the Centre of the Earth – Jules Verne&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;867. Crime and Punishment – Fyodor Dostoevsky&lt;/b&gt;&lt;br /&gt; 868. Alice's Adventures in Wonderland – Lewis Carroll&lt;br /&gt; 869. Our Mutual Friend – Charles Dickens&lt;br /&gt; 870. Uncle Silas – Sheridan Le Fanu&lt;br /&gt; 871. Notes from the Underground – Fyodor Dostoevsky&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 872. The Water-Babies – Charles Kingsley&lt;/b&gt;&lt;br /&gt; 873. Les Misérables – Victor Hugo&lt;br /&gt; 874. Fathers and Sons – Ivan Turgenev&lt;br /&gt; 875. Silas Marner – George Eliot&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;876. Great Expectations – Charles Dickens&lt;/b&gt;&lt;br /&gt; 877. On the Eve – Ivan Turgenev&lt;br /&gt; 878. Castle Richmond – Anthony Trollope&lt;br /&gt; 879. The Mill on the Floss – George Eliot&lt;br /&gt; 880. The Woman in White – Wilkie Collins&lt;br /&gt; 881. The Marble Faun – Nathaniel Hawthorne&lt;br /&gt; 882. Max Havelaar – Multatuli&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 883. A Tale of Two Cities – Charles Dickens&lt;/b&gt;&lt;br /&gt; 884. Oblomovka – Ivan Goncharov&lt;br /&gt; 885. Adam Bede – George Eliot&lt;br /&gt; 886. Madame Bovary – Gustave Flaubert&lt;br /&gt; 887. North and South – Elizabeth Gaskell&lt;br /&gt; 888. Hard Times – Charles Dickens&lt;br /&gt;&lt;b&gt; 889. Walden – Henry David Thoreau&lt;/b&gt;&lt;br /&gt; 890. Bleak House – Charles Dickens&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 891. Villette – Charlotte Brontë&lt;/b&gt;&lt;br /&gt; 892. Cranford – Elizabeth Gaskell&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;893. Uncle Tom's Cabin; or, Life Among the Lonely – Harriet Beecher Stowe&lt;/b&gt;&lt;br /&gt; 894. The Blithedale Romance – Nathaniel Hawthorne&lt;br /&gt; 895. The House of the Seven Gables – Nathaniel Hawthorne&lt;br /&gt; 896. Moby-Dick – Herman Melville&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;897. The Scarlet Letter – Nathaniel Hawthorne&lt;/b&gt;&lt;br /&gt; 898. David Copperfield – Charles Dickens&lt;br /&gt; 899. Shirley – Charlotte Brontë&lt;br /&gt; 900. Mary Barton – Elizabeth Gaskell&lt;br /&gt; 901. The Tenant of Wildfell Hall – Anne Brontë&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;902. Wuthering Heights – Emily Brontë&lt;/b&gt;&lt;br /&gt; 903. Agnes Grey – Anne Brontë&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;904. Jane Eyre – Charlotte Brontë&lt;/b&gt;&lt;br /&gt; 905. Vanity Fair – William Makepeace Thackeray&lt;br /&gt; 906. The Count of Monte-Cristo – Alexandre Dumas&lt;br /&gt; 907. La Reine Margot – Alexandre Dumas&lt;br /&gt; 908. The Three Musketeers – Alexandre Dumas&lt;br /&gt;&lt;b&gt; 909. The Purloined Letter – Edgar Allan Poe&lt;/b&gt;&lt;br /&gt; 910. Martin Chuzzlewit – Charles Dickens&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 911. The Pit and the Pendulum – Edgar Allan Poe&lt;/b&gt;&lt;br /&gt;&lt;b&gt; &lt;/b&gt;912. Lost Illusions – Honoré de Balzac&lt;br /&gt; &lt;b&gt;913. A Christmas Carol – Charles Dickens&lt;/b&gt;&lt;br /&gt; 914. Dead Souls – Nikolay Gogol&lt;br /&gt; 915. The Charterhouse of Parma – Stendhal&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;916. The Fall of the House of Usher – Edgar Allan Poe&lt;/b&gt;&lt;br /&gt; 917. The Life and Adventures of Nicholas Nickleby – Charles Dickens&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;918. Oliver Twist – Charles Dickens&lt;/b&gt;&lt;br /&gt; 919. The Nose – Nikolay Gogol&lt;br /&gt; 920. Le Père Goriot – Honoré de Balzac&lt;br /&gt; 921. Eugénie Grandet – Honoré de Balzac&lt;br /&gt; 922. The Hunchback of Notre Dame – Victor Hugo&lt;br /&gt; 923. The Red and the Black – Stendhal&lt;br /&gt; 924. The Betrothed – Alessandro Manzoni&lt;br /&gt; 925. Last of the Mohicans – James Fenimore Cooper&lt;br /&gt; 926. The Private Memoirs and Confessions of a Justified Sinner – James Hogg&lt;br /&gt; 927. The Albigenses – Charles Robert Maturin&lt;br /&gt; 928. Melmoth the Wanderer – Charles Robert Maturin&lt;br /&gt; 929. The Monastery – Sir Walter Scott&lt;br /&gt; 930. Ivanhoe – Sir Walter Scott&lt;br /&gt; 931. Frankenstein – Mary Wollstonecraft Shelley&lt;br /&gt; 932. Northanger Abbey – Jane Austen&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 933. Persuasion – Jane Austen&lt;/b&gt;&lt;br /&gt; 934. Ormond – Maria Edgeworth&lt;br /&gt; 935. Rob Roy – Sir Walter Scott&lt;br /&gt; 936. Emma – Jane Austen&lt;br /&gt; 937. Mansfield Park – Jane Austen&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;938. Pride and Prejudice – Jane Austen&lt;/b&gt;&lt;br /&gt; 939. The Absentee – Maria Edgeworth&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;940. Sense and Sensibility – Jane Austen&lt;/b&gt;&lt;br /&gt; 941. Elective Affinities – Johann Wolfgang von Goethe&lt;br /&gt; 942. Castle Rackrent – Maria Edgeworth&lt;br /&gt;1700s&lt;br /&gt; 943. Hyperion – Friedrich Hölderlin&lt;br /&gt; 944. The Nun – Denis Diderot&lt;br /&gt; 945. Camilla – Fanny Burney&lt;br /&gt; 946. The Monk – M.G. Lewis&lt;br /&gt; 947. Wilhelm Meister's Apprenticeship – Johann Wolfgang von Goethe&lt;br /&gt; 948. The Mysteries of Udolpho – Ann Radcliffe&lt;br /&gt; 949. The Interesting Narrative – Olaudah Equiano&lt;br /&gt; 950. The Adventures of Caleb Williams – William Godwin&lt;br /&gt; 951. Justine – Marquis de Sade&lt;br /&gt; 952. Vathek – William Beckford&lt;br /&gt; 953. The 120 Days of Sodom – Marquis de Sade&lt;br /&gt; 954. Cecilia – Fanny Burney&lt;br /&gt; 955. Confessions – Jean-Jacques Rousseau&lt;br /&gt; 956. Dangerous Liaisons – Pierre Choderlos de Laclos&lt;br /&gt; 957. Reveries of a Solitary Walker – Jean-Jacques Rousseau&lt;br /&gt; 958. Evelina – Fanny Burney&lt;br /&gt; 959. The Sorrows of Young Werther – Johann Wolfgang von Goethe&lt;br /&gt; 960. Humphrey Clinker – Tobias George Smollett&lt;br /&gt; 961. The Man of Feeling – Henry Mackenzie&lt;br /&gt; 962. A Sentimental Journey – Laurence Sterne&lt;br /&gt; 963. Tristram Shandy – Laurence Sterne&lt;br /&gt; 964. The Vicar of Wakefield – Oliver Goldsmith&lt;br /&gt; 965. The Castle of Otranto – Horace Walpole&lt;br /&gt; 966. Émile; or, On Education – Jean-Jacques Rousseau&lt;br /&gt; 967. Rameau's Nephew – Denis Diderot&lt;br /&gt; 968. Julie; or, the New Eloise – Jean-Jacques Rousseau&lt;br /&gt; 969. Rasselas – Samuel Johnson&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 970. Candide – Voltaire&lt;/b&gt;&lt;br /&gt; 971. The Female Quixote – Charlotte Lennox&lt;br /&gt; 972. Amelia – Henry Fielding&lt;br /&gt; 973. Peregrine Pickle – Tobias George Smollett&lt;br /&gt; 974. Fanny Hill – John Cleland&lt;br /&gt; 975. Tom Jones – Henry Fielding&lt;br /&gt; 976. Roderick Random – Tobias George Smollett&lt;br /&gt; 977. Clarissa – Samuel Richardson&lt;br /&gt; 978. Pamela – Samuel Richardson&lt;br /&gt; 979. Jacques the Fatalist – Denis Diderot&lt;br /&gt; 980. Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift&lt;br /&gt; 981. Joseph Andrews – Henry Fielding&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;982. A Modest Proposal – Jonathan Swift&lt;/b&gt; &lt;b style="font-weight: bold;"&gt; 983. Gulliver's Travels – Jonathan Swift&lt;/b&gt;&lt;br /&gt; 984. Roxana – Daniel Defoe&lt;br /&gt; 985. Moll Flanders – Daniel Defoe&lt;br /&gt; 986. Love in Excess – Eliza Haywood&lt;br /&gt; 987. Robinson Crusoe – Daniel Defoe&lt;br /&gt; 988. A Tale of a Tub – Jonathan Swift&lt;br /&gt;Pre-1700&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 989. Oroonoko – Aphra Behn&lt;/b&gt;&lt;br /&gt; 990. The Princess of Clèves – Marie-Madelaine Pioche de Lavergne, Comtesse de La Fayette&lt;br /&gt; 991. The Pilgrim's Progress – John Bunyan&lt;br /&gt; &lt;b style="font-weight: bold;"&gt;992. Don Quixote – Miguel de Cervantes Saavedra&lt;/b&gt;&lt;br /&gt; 993. The Unfortunate Traveller – Thomas Nashe&lt;br /&gt; 994. Euphues: The Anatomy of Wit – John Lyly&lt;br /&gt; 995. Gargantua and Pantagruel – Françoise Rabelais&lt;br /&gt;&lt;b style="font-weight: bold;"&gt; 996. The Thousand and One Nights – Anonymous&lt;/b&gt;&lt;br /&gt; 997. The Golden Ass – Lucius Apuleius&lt;br /&gt; 998. Aithiopika – Heliodorus&lt;br /&gt; 999. Chaireas and Kallirhoe – Chariton&lt;br /&gt;1000. Metamorphoses – Ovid&lt;br /&gt;1&lt;b style="font-weight: bold;"&gt;001. Aesop's Fables – Aesopus&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-3294597586162489612?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/3294597586162489612/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=3294597586162489612' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3294597586162489612'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3294597586162489612'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2009/12/dumping-it-from-myspace-to-here-from.html' title='dumping it from Myspace to here (from 10/23/2007)'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-5468155574136779328</id><published>2009-10-23T14:26:00.000-07:00</published><updated>2009-10-23T14:27:37.804-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sex'/><category scheme='http://www.blogger.com/atom/ns#' term='fallacies'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>[backpost 9/3/08] thank you for sparking me to again write, Sarah Palin</title><content type='html'>I am utterly burned out on politics, but I will never ever be burned out on feminism and feminist issues, so here is my take on the Bristol Palin debate. The gist of this was originally written as a response to an ill-thought-out comment on a friend's note on Facebook, and now has grown to Rational-ready proportions. I have Sarah Palin to thank for me blogging here again, and I think that the only other thing for which I hope to thank her is a Republican loss this November.&lt;br /&gt;&lt;br /&gt;Palin is anti sex-ed, which is ironic considering that her 17 year old daughter is now expecting. With an anti sex-ed mother, there are any number of reasons why Bristol got pregnant: her boyfriend could have told her that she "couldn't" get pregnant the first time or if he pulled out, she didn't know her options when it comes to birth control, or any other unfortunate yet all-too-common circumstance that often occurs when you are kept ignorant about your own body and biology. I feel sorry for her more than anything, as well as for the boy with whom she had sex; Palin's anti sex-ed crusade probably left them ignorant and shamed about their sexuality, and how else to cure ignorance than by experimenting to find out for yourself? Human curiosity is unquenchable.&lt;br /&gt;&lt;br /&gt;It is doubly ironic that the new representative to the whole world of the American "family values" party, whose socially conservative members often advocate strict and authoritarian parenting, cannot even ensure that her own daughter makes age-appropriate decisions. There are rumors that Palin was going to force her daughter to have a shotgun wedding. Speculation aside, the situation just proves what sex-ed advocates have been saying, and studies have been showing, all along: keep teens ignorant and shamed about their bodies and sexuality, and they are more likely and not less likely to have children while they themselves are still children. More specifically, girls from strict, tight-lipped-about-sex, authoritarian households are more likely to have sex at a younger age and in a context that felt uncomfortable to them, like a drunken hook-up, as well as to feel bad about it and conceive as a result. Well-informed, body-positive girls are more likely to wait to have sex and to do so in a context in which they feel comfortable, and usually in the absence of alcoholic intoxication.&lt;br /&gt;&lt;br /&gt;The facts are why I made the decision to call myself pro comprehensive sex-ed. Informing teens about condoms and other BC methods doesn't make them have sex, it simply aids those who would have sex in having a safer and healthier experience. Our Republican VP nominee's daughter couldn't "just say no;" how can Palin expect the rest of America's teenagers to?&lt;br /&gt;&lt;br /&gt;Some might claim that Palin is &lt;a href=http://www.cnn.com/2008/POLITICS/09/02/palin.pregnancy/index.html&gt;"standing up for her beliefs no matter what"&lt;/a&gt;. That is only relevant on the topic of abortion. She is not allowing her teen daughter an abortion, and that is definitely in line with her beliefs. I am not touching abortion, only sex-ed. It will be interesting to see if &lt;br /&gt;&lt;br /&gt;[update] I don't know where I was going with that. I really don't. That was all.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-5468155574136779328?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/5468155574136779328/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=5468155574136779328' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5468155574136779328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5468155574136779328'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2009/10/backpost-9308-thank-you-for-sparking-me.html' title='[backpost 9/3/08] thank you for sparking me to again write, Sarah Palin'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-3530671409173866594</id><published>2009-10-23T14:11:00.000-07:00</published><updated>2009-10-23T14:12:14.849-07:00</updated><title type='text'>so, here's the thing</title><content type='html'>I wrote lots of drafts that weren't perfect a long time ago. I'm just going to post them with little fixing now. I will cite the original date to give context.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-3530671409173866594?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/3530671409173866594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=3530671409173866594' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3530671409173866594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3530671409173866594'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2009/10/so-heres-thing.html' title='so, here&apos;s the thing'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-457609874314460276</id><published>2009-10-23T12:00:00.001-07:00</published><updated>2009-10-23T12:00:58.799-07:00</updated><title type='text'>cut yerself a break every once in a while</title><content type='html'>We live in an assumed state of some pretty unassumable things. We're supposed to not only grasp things as small as atoms and as vast as THE UNIVERSE when we can hardly even understand what it is to understand ourselves, but also, put crudely, we are supposed to, you know, function and do other shit. Fuck, if you were a child like me, you were clumsy in your own body (and maybe still are) -- you can barely use your own body correctly and somehow you're supposed to deal with subatomic particles and supernovas? How much we implicitly expect of ourselves -- we've got a lot on our minds all the time and we're expected to do things like keep time? Time as conceieved of by the Sumerians, via the Babylonians, via the Egyptians, divided up in increments that are different from our usual 5-based system? HA.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-457609874314460276?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/457609874314460276/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=457609874314460276' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/457609874314460276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/457609874314460276'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2009/10/cut-yerself-break-every-once-in-while.html' title='cut yerself a break every once in a while'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-2858110480381469741</id><published>2008-11-06T14:41:00.001-08:00</published><updated>2008-11-06T14:41:55.331-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sex'/><category scheme='http://www.blogger.com/atom/ns#' term='california'/><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><category scheme='http://www.blogger.com/atom/ns#' term='fallacies'/><title type='text'>some cliche about the battle and the war</title><content type='html'>I spent all of yesterday in mourning. I had planned on writing a big ol' entry on my work with No on 8, complete with refutations of Yes's arguments. However, I've come up with something much more succinct. That entry is in the works, but right now, I do have a few points to make.&lt;br /&gt;&lt;br /&gt;First of all, kudos to the city of Irvine for being, out of all the cities in Orange County, the only to have a majority No on 8. It surprised me almost more than Obama's win surprised me.*&lt;br /&gt;&lt;br /&gt;Secondly, I have good reason to assert that voter confusion played a big role in 8's small margin of victory. Many voters to whom I spoke in the educated, white, conservative Huntington Beach neighborhood in which I volunteered on Election Day were confused -- imagine how bad it could have been for voters who are less educated and of lower socio-economic status. So many voters simply follow a voter's guide and do not ever read the actual text of propositions. The information assessed on the part of average voter in making his or her decision about voting usually consists of the number of signs he or she sees, the often inflammatory ads broadcasted on television and radio, and his or her own personal tastes and distastes -- in other words, the situation is utterly &lt;i&gt;appalling&lt;/i&gt;. I am not even referring to the twists on truth favored by some of Yes on 8's proponents, I am referring to pure confusion as in what Yes or No on 8 means in the purely legislative sense, which manifests in two ways. Some people think that gay marriage is the change to the California Constitution, whilst in reality, 8 is new legislation that changes the current state of affairs to favor heterosexuals. The other way is that some people were called by deceptive Yes on 8ers who told them to vote Yes on 8 when they responded that they were for gay marriage. Double negatives really are confusing.&lt;br /&gt;&lt;br /&gt;Thirdly, the entire point of a constitution is to protect minorities from being handled rough-shod by the tyranny of the majority. A simple vote is not what is required to change it -- there has to be a super-majority as well as approval by the state congress. 8 is being challenged on these legal grounds.&lt;br /&gt;&lt;br /&gt;Fourthly, 8 is not a "restoration to traditional marriage" and actually hurts the cause of families. The tradition of marriage, in the vast majority of human society, was founded to ensure paternity in children and to create a system in which to exchange women, who were considered property. Additionally, marriage helped to keep religions stocked with new members, as it was unthinkable to marry outside one's community and religion and thus marriages (in the vast majority of cases) produced people of the same faith as their parents. Marriage has since evolved into a contract between two people and the state, which is why interracial, interreligious, and intercommunity marriage is allowed. Marriage in the United States is a secular affair in which even those without a religion can participate; the only people not allowed are couples who happen to be of the same biological sex. The gay community is often criticized for being promiscuous, flamboyant, juvenile, and rash. Much of this stems from the fact that people who are LGBT do not have the option of a more mainstream lifestyle, i.e. "settling down"; not allowing them to marry essentially forces them into the fringes again.&lt;br /&gt;&lt;br /&gt;This brings me to my fifth and final political point. Whether 8 is allowed to be instated or not is almost irrelevant in the grand scheme of things. Something to bring it down can be a proposition for the next election, which gives those on the side of equality time to educate voters as well as simplifies voting (Yes for agreeing with equal rights, No if you disagree). If that fails, well, the fight for rights will never end and will hopefully bleed the intruding Utah Mormon church of the funds on which they pay no taxes (don't even get me started on that). On another topic, We have a Democratic majority congress, which hopefully means that another fight for rights will be more successful. I am referring to equality in hiring (and firing). It's legal in 30 states to fire someone for being gay, and the Human Rights Campaign is actively working to make that history. Additionally, 8 might be found to be in violation of the 14th Amendment, which prohibits targeting minority groups for discrimination.&lt;br /&gt;&lt;br /&gt;Finally, I will breathe in a nice hint of humanity. Whatever those who want legislate based on personal distaste and ancient religious texts do, human nature will win out. Non-hetero people will continue to reproduce and adopt (if not in a marriage if 8 wins) and their kids will turn out to be the strongest sort of Ally -- ones with personal and loving links -- to the LGBT (Lesbian, Gay, Bisexual, and Transgendered) community. Additionally, those Ally kids will grow up next to kids who are the products of "traditional" marriage, and 10-20% of kids from either background equally will grow up to be LGBT themselves. More and more people are choosing to live out of the closet, and in a manner authentic to themselves instead of conforming to straight-created gay stereotypes. I predict that the day is coming soon where everyone will have a friend, neighbor, loved one, teacher, employer, or coworker who not only is LGBT or the product of an LGBT family, but is "normal" but for that part of their life. Exposure to good role models and examples always helps with such causes that relate to minorities.&lt;br /&gt;&lt;br /&gt;So again, that cliche about the battle's outcome versus that of the war. 8 has simply hardened my stance and reactivated my long-dead love of politics and activism. I am planning on working, volunteering, and doing all that I can to promote the recognition of the humanity of non-straight people. Someday, I'll see you in a more tolerant world.&lt;br /&gt;&lt;br /&gt;* I'll admit it, I was a complete cynic about Obama's chances until I heard McCain's concession speech. I knew about Obama's presidential aspirations long before the election, but dismissed him because he, like me, is a non-white kid with Muslim-ish origins, a few years of life abroad under his belt, at least one immigrant parent, and a very funny, hard-to-spell-and-pronounce, terrorist-sounding name. Even when pre-election polls showed him in the lead, I believed in the Bradley effect and was sure that people's secret racism would come out in the privacy of the voting booth. I was, mercifully, quite wrong. I suppose that I quite underestimate my fellow Americans sometimes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-2858110480381469741?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/2858110480381469741/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=2858110480381469741' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2858110480381469741'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2858110480381469741'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2008/11/some-cliche-about-battle-and-war.html' title='some cliche about the battle and the war'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-1307940942907912364</id><published>2008-05-14T01:16:00.000-07:00</published><updated>2008-05-14T01:58:43.556-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='stupid consumers'/><category scheme='http://www.blogger.com/atom/ns#' term='azn'/><category scheme='http://www.blogger.com/atom/ns#' term='beauty'/><category scheme='http://www.blogger.com/atom/ns#' term='cliches'/><title type='text'>Horrifying Stereotypes Ideas</title><content type='html'>This entry is not for actual analysis, it's a list with a function. If you do not know that function, i.e. you didn't land here for that reason, well then, you are not meant to know, and you must accept that.&lt;br /&gt;&lt;br /&gt;Stereotypes that have already been "called" (that doesn't mean you can't do it, but try to think of something else):&lt;br /&gt;- a Frenchman from the early 50s (hyper cheeseball style)&lt;br /&gt;- hippy/flower child&lt;br /&gt;- backwards Muslim/Arab woman&lt;br /&gt;- over-the-top metalhead&lt;br /&gt;- wannabe goth&lt;br /&gt;- skinhead&lt;br /&gt;- dumb blonde (not technically taken, but you know someone is coming as that)&lt;br /&gt;&lt;br /&gt;Stereotype Ideas:&lt;br /&gt;- Catholic schoolgirl = little skirt, big cross wedged in between breasts pushed up by unbuttoned blouse, socks, "cute" shoes, acting sweetly and yet naughtily&lt;br /&gt;- that Christian girl that comes on campus = conservative clothing, Bible, proselytizing&lt;br /&gt;- Frenchwoman = dressed immaculately and in black, beret, cigarette in holder, nihilistic and cynical attitude&lt;br /&gt;- academic nerd = big backpack loaded with books, glasses that constantly need adjusting, use of only big words&lt;br /&gt;- geek, Internet version = Mountain Dew, Twinkies, unkempt look, obscure reference on t-shirt, sloppy, socially inept yet obviously horny&lt;br /&gt;- geek, super version = snorting noises, D&amp;D, Magic cards, acts as if in a fantasy film or video game&lt;br /&gt;- emo kid = depressed, scars on wrists, hair over face, glasses, whining, Chuck Taylors, skinny jeans&lt;br /&gt;- grunge kid = flannel, apathy, long nasty hair, muttering, Chuck Taylors, love of Nirvana/worship of Kurt Cobain&lt;br /&gt;- over-trendy Japanese = weird-colored hair streaks, liquid eyeliner, absolutely ludicrous and costume-like clothing&lt;br /&gt;- delicate Asian flower = sweet and feminine demeanor, very conservative but girly clothing, lots of giggling, clutching at a stuffed animal&lt;br /&gt;- wannabe G = bling, grillz, hos, 40s, rimz, misogyny, etc.&lt;br /&gt;- wannabe rapper = old school baggy clothes, athletic wear, pretentiously expensive sneakers, talks constantly in rhythm and thyme&lt;br /&gt;- uber-Feminazi = mannish clothing, solid shoes, loud and rough-sounding voice, hatred towards all men and males, disdain for sexually liberated women&lt;br /&gt;- fraternity guy = loud, raucous, beer-drinking, hits on all "hot" women, annoying, douchey&lt;br /&gt;- sorority chick = slutty, fake, pretends to like everyone, overly "spirited" about school/her particular affiliation&lt;br /&gt;&lt;br /&gt;You get the idea. And if you get a brilliant one you are not going to use, comment if you have an account or email me if you don't.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-1307940942907912364?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/1307940942907912364/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=1307940942907912364' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/1307940942907912364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/1307940942907912364'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2008/05/horrifying-stereotypes-ideas.html' title='Horrifying Stereotypes Ideas'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-4673872014313739864</id><published>2008-02-23T14:17:00.001-08:00</published><updated>2008-02-23T14:17:54.006-08:00</updated><title type='text'>and, with the promise of updating</title><content type='html'>&lt;a href="http://www.criticsrant.com/bb/reading_level.aspx"&gt;&lt;img style="border: none;" src="http://www.criticsrant.com/bb/readinglevel/img/undergrad.jpg" alt="blog readability test" /&gt;&lt;/a&gt;&lt;p&gt;&lt;small&gt;&lt;a href="http://www.criticsrant.com"&gt;Movie Reviews&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-4673872014313739864?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/4673872014313739864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=4673872014313739864' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4673872014313739864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4673872014313739864'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2008/02/and-with-promise-of-updating.html' title='and, with the promise of updating'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-4266804283874389600</id><published>2007-12-12T02:22:00.000-08:00</published><updated>2007-12-12T02:24:26.965-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='free speech'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><title type='text'>I made a video!</title><content type='html'>&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/FLQFmXiVU7o&amp;rel=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/FLQFmXiVU7o&amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;It's my first one ever, so be nice. Or send it to people mockingly, so that my viewcount goes up, either works.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-4266804283874389600?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/4266804283874389600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=4266804283874389600' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4266804283874389600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4266804283874389600'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/12/i-made-video.html' title='I made a video!'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-8333739526545366868</id><published>2007-12-05T15:36:00.000-08:00</published><updated>2007-12-05T15:36:09.853-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sex'/><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><category scheme='http://www.blogger.com/atom/ns#' term='fallacies'/><title type='text'>the slope really isn't so slippery</title><content type='html'>Ah, election time approaches. A time for Indecision and Decision, youth activism, and feelings of importance (rather unwarranted) mingled with despair at the futility of it all (more on-target).&lt;br /&gt;&lt;br /&gt;This is the most wonderful time of the four-year span for logicians. I am not a logician, but I love advocating for logic. People hate me for always wanting a reason, but even more so for constantly asking, "What exactly do you mean by that?"  which is the main weapon for a student of philosophy.&lt;br /&gt;&lt;br /&gt;This brings me to the fallacy I hear most and which I consider the most ridiculous: &lt;a href=http://www.infidels.org/library/modern/mathew/logic.html#slope&gt;the slippery slope&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The main context in which it is used against me in an argument is in regards to my secular tendencies. The claim is that without religion, there would be no morality, and the world would degenerate into anarchy.  One problem with that is that the theist definition of morality and what morals are most important is usually quite different from the construction of humanist morality. The &lt;a href="http://www.positiveatheism.org/crt/whichcom.htm"&gt;Ten Commandments&lt;/a&gt; are a great example, since &lt;span style="font-style:italic;"&gt;all&lt;/span&gt; of the Commandments are considered highly important.&lt;br /&gt;&lt;blockquote&gt;1) I am the Lord thy God, who brought thee out of the land of Egypt, out of the house of slavery.&lt;br /&gt;2) Thou shalt have no other gods before Me. Thou shalt not make unto thee a graven image, nor any manner of likeness, of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; Thou shalt not bow down unto them, nor serve them; for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate Me; And showing mercy unto the thousandth generation of them that love Me and keep My commandments.&lt;br /&gt;3) Thou shalt not take the name of the Lord thy God in vain; for the Lord will not hold him guiltless that taketh His name in vain.&lt;br /&gt;4) Remember the Sabbath day to keep it holy. Six days shalt thou labour, and do all thy work. But the seventh day is the Sabbath in honour of the Lord thy God; on it thou shalt not do any work, neither thou, nor thy son, nor thy daughter, thy manservant nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates; For in six days the Lord made the heavens and the earth, the sea, and all that is in them, and rested on the seventh day; therefore the Lord blessed the Sabbath day, and hallowed it.&lt;br /&gt;5) Honour thy father and thy mother; in order that thy days may be prolonged upon the land which the Lord thy God giveth thee.&lt;br /&gt;6) Thou shalt not kill.&lt;br /&gt;7) Thou shalt not commit adultery.&lt;br /&gt;8) Thou shalt not steal.&lt;br /&gt;9) Thou shalt not bear false witness against thy neighbor&lt;br /&gt;10) Thou shalt not covet thy neighbour's house; thou shalt not covet thy neighbour's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour's.&lt;/blockquote&gt;&lt;br /&gt;So, essentially, the Judeo-Christian theist perspective is that worshiping something besides the Hebrew God, creating art that depicts living creatures, cursing, working on Sunday, dishonoring your parents, murdering, cheating on a spouse, stealing, lying, and being jealous are all on the same plane of badness. Leaving aside the fact that most Christians violate at least one of these, I really can't believe that worshiping a non Judeo-Christian god, creating art, cursing, working on Sunday, or thinking jealous thoughts are truly crimes. Besides, how would the last one be regulated? Additionally, I don't think that adultery and murder are really on the same plane of evil, and American law is on my side, as adultery cannot be prosecuted. &lt;br /&gt;&lt;br /&gt;More simply stated: the vast majority of the world's population claims to be religious, and yet not only does man-made evil exist, but certain reprehensible acts are committed using religion as a justification. Secularism only causes immorality if you define immorality via dogmatic instead of rational means.&lt;br /&gt;&lt;br /&gt;Another example of the slippery-slope model is one argument that has been adapted by homophobes. Some claim that without religious injunctions against homosexuality, the human race would die out because everyone would "turn gay" and would no longer participate in procreative sex acts. Three simple facts call this assertion into question: the world is overpopulated as it is, modern heterosexuals can live non-procreative yet sexually fulfilled lives, and some LGBTQ community members engage in occasional procreative acts (or turn to artificial insemination) in order to have children. The funniest part of such an argument, to me, is that it would suggest that every person, or at least a majority of people, would "turn gay" if loosed from religious bonds. I love asking people who use this argument if they would "turn gay" if they weren't religious, as they tend to flounder or avoid the question with a great measure of awkwardness. &lt;br /&gt;&lt;br /&gt;Some more slippery slopes that aren't accurate:&lt;br /&gt;- Having &lt;a href=http://www.washingtonpost.com/wp-dyn/content/article/2007/11/10/AR2007111001271.html&gt;sex&lt;/a&gt; at a young age leads to other socially deviant behavior.&lt;br /&gt;- &lt;a href=http://www.scienceblog.com/cms/study-say-marijuana-no-gateway-drug-12116.html&gt;Marijuana&lt;/a&gt; use necessarily leads to the use of harder and harder drugs.&lt;br /&gt;- Legalizing &lt;a href=http://www.sciencedaily.com/releases/2007/09/070926191348.htm&gt;euthanasia&lt;/a&gt; would lead to the disenfranchised seeking out death.&lt;br /&gt;&lt;br /&gt;BS Factor:&lt;br /&gt;The steepest street in the world (Baldwin Street, Dunedin, New Zealand)&lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/street.jpg&gt;&lt;br /&gt;It has a grade of 35%. Impressive, no?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-8333739526545366868?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/8333739526545366868/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=8333739526545366868' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/8333739526545366868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/8333739526545366868'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/slope-really-isnt-so-slippery.html' title='the slope really isn&apos;t so slippery'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_street.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-2594215335669031156</id><published>2007-12-05T00:00:00.000-08:00</published><updated>2007-12-05T15:42:01.594-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='desi'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>why Bollywood doesn't suck.... much</title><content type='html'>As I mentioned in my previous entry, I'd recently seen the Indian movie called &lt;a href=http://en.wikipedia.org/wiki/Fanaa_%28film%29&gt;Fanaa&lt;/a&gt;, and it sparked a lot of thought re Bollywood in my mind.&lt;br /&gt;&lt;br /&gt;I watched the movie with some people, and one of them was displeased with the film for a number of reasons, reasons with which I agreed in the past and have by no means ceased to comprehend. I will describe her main three reasons.&lt;br /&gt;&lt;br /&gt;Firstly, the portrayal of Muslims in the film is distasteful. All the main characters are Muslim, including the protagonist, who has sex with the hero (whom she has known for but three days) in a night of agreed-upon no-string-attached frolicking before they decide to marry, and the father of the protagonist, who falls into alcohol as a cure for his grief after his wife dies. Such portrayals are propaganda that normalize such un-Islamic behaviors as premarital sex and the consumption of alcohol.&lt;br /&gt;&lt;br /&gt;Secondly, the signature song of the movie utilizes the Islamic phrase &lt;a href=http://en.wikipedia.org/wiki/Subhanallah&gt;"Subhanallah"&lt;/a&gt;, which can be translated as "Exalted is Allah." To hear a phrase used to worship reduced to what can be essentially described as a pick-up line is jarring to the Muslim ear and mind.&lt;br /&gt;&lt;br /&gt;Thirdly, the melodramatic plot-line of the movie is utterly unrealistic. They fall in love, have sex, and decide to marry within the span of a few days. The next day, she gets eye surgery whilst he carries out a terrorist attack (which is not portrayed as a Muslim thing, thankfully, but a Kashmiri freedom fighter affair). Seven years later, he just happens to get injured close to her house. The implausibility causes unrealistic expectations.&lt;br /&gt;&lt;br /&gt;All of these are valid concerns, and I have shared some of them and still do.&lt;br /&gt;&lt;br /&gt;As for the first, i.e. the portrayal of Muslims, it is true that seeing things in movies does tend to desensitize people to them. I'm not sure, however, if a film like &lt;span style="font-style:italic;"&gt;Fanaa&lt;/span&gt; could be counted as "propaganda," as that word is &lt;a href=http://www.m-w.com/dictionary/propaganda&gt;defined by Merriam-Webster&lt;/a&gt; as such&lt;br /&gt;&lt;blockquote&gt;&lt;span style="font-weight:bold;"&gt;1&lt;/span&gt; &lt;span style="font-style:italic;"&gt;capitalized&lt;/span&gt; &lt;span style="font-weight:bold;"&gt;:&lt;/span&gt; a congregation of the Roman curia having jurisdiction over missionary territories and related institutions&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;2:&lt;/span&gt; the spreading of ideas, information, or rumor for the purpose of helping or injuring an institution, a cause, or a person&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;3:&lt;/span&gt; ideas, facts, or allegations spread deliberately to further one's cause or to damage an opposing cause; &lt;span style="font-style:italic;"&gt;also&lt;/span&gt; : a public action having such an effect&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Definition 1 is easy to dismiss, and the third is a very political definition. #2 is probably the definition used in the criticism,  with the damaged party being Muslims. Viewed in a vacuum, the movie could be seen as deliberately designed to hurt the image of Muslims and Islam. However, viewed in the broader context of Bollywood, it follows a formula in which are inserted Hindus (and, to a lesser degree, Parsis and Christians) as well as Muslims. Of course, Muslims are a minority in India, and thus more prone to stereotyping. &lt;br /&gt;&lt;br /&gt;As for the portrayal of pre-marital sex, it might not be so disparate from reality as many Desis would like to believe, as Nita J. Kulkarni &lt;a href=http://nitawriter.wordpress.com/2006/09/07/teenage-sex/&gt;blogs&lt;/a&gt;.&lt;br /&gt;&lt;blockquote&gt;No matter how much parents rave and rant about the evils of western influences, and the decline of Indian culture, the facts are that the desire to interact and romance the opposite sex is natural and has always existed in India! By denying the existence of such natural feelings parents are alienating their children. In fact I did not include an interview due to a lack of space, that of an eighty year old gentleman. He told me that too much fuss was being made about premarital sex. It was not a modern affliction, he said, it existed in his day and age too. He lost his virginity at age 17 he said, several years before marraige and it wasn’t with a prostitute. This was the first time he was confessing it to anyone though. The only change now (he told me) is that sex has been dragged out into the open and youngsters do not pretend its wrong. This is a good thing according to him because it could be the beginning of the end of hypocrisy. &lt;/blockquote&gt;&lt;br /&gt;What the old man calls hypocrisy is, actually, so embedded in the Desi community (including the Desi diaspora of which I am a part), especially the Muslim Desi community, that &lt;a href=http://news.bbc.co.uk/1/hi/uk/4416988.stm&gt;a young Pakistani who drunkenly murdered&lt;/a&gt; a white man in 2005 actually said, in reference to drinking and being a in a premarital romantic relationship, that "In our religion you don't tell your parents. They might get upset." He didn't say that drinking and romance prior to marriage were forbidden in the religion, he said that talking about it was forbidden. This, to me, represents the embedded gag order under which Desis, especially Muslims, live. Taking the dichotomy of appearance (i.e. "we don't talk about that") vs. reality into consideration, the criticism is a poignant example of cultural &lt;a href=http://en.wikipedia.org/wiki/Synecdoche&gt;synecdoche&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Alcohol is perhaps even more stigmatized than sex, but even that is changing. The consumption of alcohol by young Muslims is called a plague &lt;a href=http://makkah.wordpress.com/2007/11/22/young-muslim-professionals-drinking-alcohol/&gt;here&lt;/a&gt;, and yet the stigma is still real, as Austin Cline details in &lt;a href=http://atheism.about.com/b/2007/11/13/islam-alcohol-shame-and-fear-of-muslims-who-drink-alcohol.htm&gt;several interviews&lt;/a&gt; with young Muslims.&lt;br /&gt;&lt;br /&gt;The second criticism, that of the use of Islamic phrases in Bollywood soundtracks, is not an easy one to tackle. I've heard other Indian songs use the word "Allah" and found it jarring. Theologically speaking, it's irreverent, but I know of no one who regularly watches Indian movies who cares. It could simply be a desensitization on their part, or a lack of exposure to Bollywood on mine. In any case, my knowledge of Hindi is not enough to know whether or not Islamic Arabic phrases are used in day-to-day life in a manner to which I am not accustomed.&lt;br /&gt;&lt;br /&gt;The third criticism is easily answered via a quick glance at Bollywood. All the movies are ludicrous and over-the-top. Every single movie is a romance or is romantic in nature in a society in which most of marriage is arranged (more than 95% according to &lt;a href=http://nitawriter.wordpress.com/2007/09/04/it-is-possible-to-arrange-love/&gt;this&lt;/a&gt;, and 80-90% according to &lt;a href=http://www.usatoday.com/money/2006-02-13-valentine-cover-usat_x.htm&gt;this&lt;/a&gt;). Bollywood films are intended to be romps in escapism more than a realistic depiction of reality.&lt;br /&gt;&lt;br /&gt;In the end, no matter how much I might dislike Bollywood, there is a flip side of the story. Even though media portrayals might &lt;a href=http://www.guardian.co.uk/india/story/0,,2148302,00.html&gt;deride true feminism&lt;/a&gt;, there was a &lt;a href=http://www.apunkachoice.com/scoop/interviews/20071017-0.html&gt;movie that sent an empowering message&lt;/a&gt; for women, and &lt;a href=http://www.slate.com/id/2172474/nav/navoa/&gt;Indian soap operas&lt;/a&gt; seem to help rural Indian women develop more feminist attitudes. India's feminist scene is also quite vibrant, with groups such as the &lt;a href=http://news.bbc.co.uk/2/hi/south_asia/7068875.stm&gt;Gulabi Gang&lt;/a&gt; taking matters into their own hands. I suppose that since Bollywood is here to stay, even "haters"   like me would better serve others by offering constructive criticism instead of hoping that Bollywood stops making movies, or completely revamps everything.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor:&lt;/span&gt;&lt;br /&gt;The number of bangles I own... &lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/bangle.jpg&gt;&lt;br /&gt;I'll admit it, I imagine myself as graceful as some of the Bollywood actresses when I wear Desi clothes. Also, this is an old picture. I own a lot more bangles now.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-2594215335669031156?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/2594215335669031156/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=2594215335669031156' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2594215335669031156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2594215335669031156'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/why-bollywood-doesnt-suck-much.html' title='why Bollywood doesn&apos;t suck.... much'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_bangle.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-4768705326397892764</id><published>2007-11-25T22:30:00.000-08:00</published><updated>2007-11-26T10:48:48.412-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='beauty'/><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='cliches'/><category scheme='http://www.blogger.com/atom/ns#' term='desi'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>why Bollywood does suck</title><content type='html'>Last weekend, I watched a Bollywood movie (this one is called &lt;a href=http://en.wikipedia.org/wiki/Fanaa_%28film%29&gt;Fanaa&lt;/a&gt;) for the first time in four years or so. The last movie I'd seen before that was &lt;a href=http://www.imdb.com/title/tt0248126/&gt;Kabhi Khushi Kabhie Gham&lt;/a&gt;, during the summer in which I spent a month in London with relatives. Not only did I fall asleep three quarters of the way through it, I only saw the part of it I did because I was resting in the room in which the other girls were watching television. The last movie I'd seen before that was probably sometime during early childhood.&lt;br /&gt;&lt;br /&gt;So, it goes without saying that I am not exactly a big fan of Bollywood movies. &lt;br /&gt;&lt;br /&gt;Firstly, they're all inevitably musicals. I hadn't developed an enjoyment of Western musicals until my senior year of high school, and then I quickly tired of the clichés of musical theatre. I do like some musicals now, but I'm quite picky as to the ones I'll sit through with any measure of enjoyment. Bollywood musicals are even worse than Western ones as far as clichés go. For example, each song must include scene shifts that &lt;a href=http://trivialmatters.blogspot.com/2007/11/on-sets-of-bollywood.html&gt;incorporate the Swiss Alps&lt;/a&gt; (although that might presumably be due to the fact that the Alps are less troubled than the similar-looking &lt;a href=http://en.wikipedia.org/wiki/Kashmir_conflict&gt;Kashmir&lt;/a&gt;), many outfit changes, and endless posing, culminating with what a friend of mine once dubbed the infamous "affectionate hug:" where a Hollywood film would put a kiss between the leads, Bollywood uses its supposedly-chaster substitute. At least in &lt;span style="font-style:italic;"&gt;Fanaa&lt;/span&gt;, the movie was set in Kashmir, so the gorgeous setting (if actually the Tatra Mountains, not Kashmir itself) was justified plot-wise.&lt;br /&gt;&lt;br /&gt;The hug brings me to my second point: the seemingly arbitrary censorship of sexuality in the films. &lt;span style="font-style:italic;"&gt;Fanaa&lt;/span&gt;'s pivotal love scene involves a lascivious (no other word will do) dance in the rain, followed by a scene where the hero and heroine kiss each other all over the neck and shoulders and then are seen lying in bed together. It's obvious what has happened, especially considering the fact that they essentially agree to no-strings-attached love in the scene before and they agree to marry in the scenes to come (not to mention the kid she has later on, but that's not the point). Aside from the very sexy dancing that occurs in Bollywood films, the costuming is quite sultry as well. &lt;span style="font-style:italic;"&gt;Fanaa&lt;/span&gt;'s heroine is a blind Muslim girl and so is usually quite conservatively attired, but in other movies, skimpy attire is often the rule rather than the exception. Here's the kicker: kisses on the lips are not considered "decent" and so are almost banned from Indian cinema. So, &lt;a href=http://jaojenna.blogspot.com/2007/07/here-we-are-now-entertain-us.html&gt;writhing around in revealing little outfits is OK&lt;/a&gt;, but not even a brief liplock is allowed (of course, all &lt;a href=http://www.smh.com.au/articles/2003/06/03/1054406189392.html&gt;this is changing&lt;/a&gt;)? Mmkay.&lt;br /&gt;&lt;br /&gt;Thirdly, in spite of the implicit (if flexible) ban on displays of consensual affection, the thwarted &lt;a href=http://lifestyle.indiatimes.com/Jokes/Filmi_Fever/Titanic_in_Bollywood/articleshow/2340186.cms&gt;rape scene is a standard&lt;/a&gt; of Bollywood cinema. It goes something like this: a girl is nearly raped by the villain and is saved by some male hero bursting in. She usually falls in love with the man who saves her. A woman screaming for help as she is about to be violated by a mustachioed man leering over her nubile form isn't obscene, but a kiss between two happy people in love is?&lt;br /&gt;&lt;br /&gt;I'm sorry, I was puking a bit there. Onward, since I think the point is made.&lt;br /&gt;&lt;br /&gt;Stereotyping is the fourth reason I dislike Bollywood films. Hollywood does this too, but in the flat fantasy world of Bollywood films, it seems more heavy-handed somehow. Suketu Mehta writes in &lt;a href=http://www.suketumehta.com/nytm.html&gt;his article&lt;/a&gt;:&lt;br /&gt;&lt;blockquote&gt;Growing up in Bombay with the movies, I had come to understand Muslims as lovable, Christian girls as flirtatious, Sikhs as loyally martial, Parsis as endearingly cracked. The movies trafficked in broad stereotypes, but they were, for the most part, good-natured stereotypes.&lt;/blockquote&gt;&lt;br /&gt;As many a sociologist has pointed out, even a &lt;a href=http://www.tsl.pomona.edu/index.php?article=573&gt;"good" stereotype is actually bad&lt;/a&gt;. The harm in stereotyping is not so much that it casts a particular ethnic, racial, religious, or other group in bad light, but in that a stereotype is an over-generalization that can be true or untrue depending on the individual. Additionally, the descriptions that Mehta describes are all of minority groups within India; the majority group in India in general is Hindu. Thus, Hindus are cast as the norm whereas minorities have labels thrust upon them, similar to the way in which white heterosexual maleness is the norm in Hollywood against which all difference and deviance is measured. &lt;span style="font-style:italic;"&gt;Fanaa&lt;/span&gt;, for all its flaws, doesn't seem to do this much. The demureness of the heroine is more attributable to her blindness and sweet nature than to her religion, and, &lt;a href=http://en.wikipedia.org/wiki/Islamic_dietary_laws#Alcohol&gt;oddly enough&lt;/a&gt;, her father is portrayed as a drunk (or at least &lt;a href=http://atheism.about.com/b/2007/11/13/islam-alcohol-shame-and-fear-of-muslims-who-drink-alcohol.htm&gt;a drinker&lt;/a&gt;) in the latter half of the movie.&lt;br /&gt;&lt;br /&gt;Fifthly, the sexism inherent in the Bollywood film industry is unsettling to me. &lt;a href=http://www.siliconeer.com/past_issues/2001/nov2001.html&gt;Siliconeer put it very well&lt;/a&gt; back in 2001:&lt;br /&gt;&lt;blockquote&gt;Bollywood is nothing if not sexist. Male stars can grow old but can still cavort with adolescent nymphets, but just let a female star get married and tongues are wagging. Some wonderful female stars have managed to buck this double standard with the sheer heft of their talent—Dimple and Rekha, for instance, but the double standard is well and truly alive.&lt;/blockquote&gt;&lt;br /&gt;Shahrukh Khan, an actor who's been in the industry as long as I've been alive, still gets cast as the "hero" in recent films, whereas older women in Bollywood (as in over twenty five) are left, as &lt;a href=http://cuttingroomreviews.blogspot.com/2006/02/bollywoods-bodacious-bash.html&gt;this blogger says&lt;/a&gt;, "playing elder sisters or spinster aunts, relegated to the background where younger (but talentless) leads steal the limelight. Roles for women are much better now than they were a decade ago, but sexism and marginalization still exist." It's a reflection of unfortunate reality: women are valued in &lt;a href=http://en.wikipedia.org/wiki/Desi&gt;Desi&lt;/a&gt; society mainly for their beauty and youth prior to marriage, since such attractiveness leads to marriage and motherhood (i.e. further propagation of the culture).&lt;br /&gt;&lt;br /&gt;Last, but not least, I dislike the sheer predictability of the movies. Their plotlines are as follows, according to &lt;a href=http://uci.facebook.com/group.php?gid=2204788430&gt;this Facebook group&lt;/a&gt;:&lt;br /&gt;&lt;blockquote&gt;1. "I want to hook up with this girl but she's rich and I'm poor and our families hate each other."&lt;br /&gt;2. "I want to hook up with this girl but she's Muslim and I'm Hindu and our families hate each other."&lt;br /&gt;3. "I want to hook up with this girl but she's already in love with my best friend."&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Pretty accurate, if you ask me.&lt;br /&gt;&lt;br /&gt;BS Factor:&lt;br /&gt;All the back-up dancers that no one ever sees again (pretend &lt;a href=http://en.wikipedia.org/wiki/Aishwarya_Rai&gt;Aishwarya Rai&lt;/a&gt; isn't there) &lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/dola-re-dola.jpg&gt;&lt;br /&gt;&lt;br /&gt;Coming soon: a response to a conservative Muslim's criticism of Fanaa and, by extension, other Bollywood portrayals of Muslims or why Bollywood doesn't suck&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-4768705326397892764?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/4768705326397892764/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=4768705326397892764' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4768705326397892764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/4768705326397892764'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/why-bollywood-does-and-doesnt-suck.html' title='why Bollywood does suck'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_dola-re-dola.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-1640835326205306333</id><published>2007-11-13T23:57:00.000-08:00</published><updated>2007-11-16T14:31:33.487-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bullshitins'/><category scheme='http://www.blogger.com/atom/ns#' term='urban legend'/><category scheme='http://www.blogger.com/atom/ns#' term='cliches'/><title type='text'>a good one for once</title><content type='html'>People are gullible. This is an indisputable fact if you've ever been on the Internet. When I first obtained an Internet connection, I was eleven years old, and was immediately met with a barrage of FWD: emails. The worst volumes and volumes came from people who were a) bored and b) older. In fact, in class (the class for which I started this blog), &lt;a href=https://eee.uci.edu/faculty/losh/&gt;Dr. Losh&lt;/a&gt; mentioned that some of her fellow faculty members believed that &lt;a href=http://web.archive.org/web/20070406123511/http://www.shorty.com/bonsaikitten/&gt;the Bonsai kitten hoax&lt;/a&gt; was real. Although I very rarely if ever receive hoax emails anymore, Myspace bulletins have become the new urban legends battleground.&lt;br /&gt;&lt;br /&gt;Remember, kids: the &lt;a href=http://www.snopes.com/&gt;Urban Legends Reference Page&lt;/a&gt; is your friend.&lt;br /&gt;&lt;br /&gt;Which is why this bulletin was absolutely refreshing to me.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;I must send my thanks to whoever sent me the one about poop in &lt;a href=http://www.snopes.com/horrors/poison/envelope.asp&gt;the glue on envelopes&lt;/a&gt; because I now have to use a wet towel with &lt;a href=http://www.snopes.com/horrors/food/tacobell.asp&gt;every envelope&lt;/a&gt; that needs sealing.&lt;br /&gt;&lt;br /&gt;Also, now I have to &lt;a href=http://www.snopes.com/medical/toxins/raturine.asp&gt;scrub the top of every can&lt;/a&gt; I open for the same reason.&lt;br /&gt;&lt;br /&gt;I no longer have any savings because I gave it to &lt;a href=http://www.snopes.com/inboxer/medical/cancer.asp&gt;a sick girl&lt;/a&gt; (&lt;a href=http://www.snopes.com/inboxer/missing/penny.asp&gt;Penny Brown&lt;/a&gt;) who is about to die in the hospital for the 1,387,258th time.&lt;br /&gt;&lt;br /&gt;I no longer have any money at all, but that will change once I receive the $15,000 that &lt;a href=http://www.snopes.com/inboxer/nothing/billgate.asp&gt;Bill Gates/Microsoft&lt;/a&gt; and &lt;a href=http://www.snopes.com/inboxer/nothing/microsoft-aol.asp&gt;AOL&lt;/a&gt; are sending me for participating in their special e-mail program.&lt;br /&gt;&lt;br /&gt;I no longer worry about my soul because I have &lt;a href=http://www.snopes.com/glurge/rapestop.asp&gt;363,214&lt;/a&gt; &lt;a href=http://www.snopes.com/glurge/birdies.asp&gt;angels&lt;/a&gt; looking out for me, and &lt;a href=http://www.helium.com/tm/635743/question-faithmy-friend-wishes&gt;St. Theresa's novena&lt;/a&gt; has granted my every wish.&lt;br /&gt;&lt;br /&gt;I no longer eat KFC because their chickens are actually &lt;a href=http://www.snopes.com/horrors/food/kfc.asp&gt;horrible mutant freaks&lt;/a&gt; with no eyes or feathers.&lt;br /&gt;&lt;br /&gt;I no longer use &lt;a href=http://www.snopes.com/medical/toxins/antiperspirant.asp&gt;cancer-causing deodorants&lt;/a&gt; even though I smell like a water buffalo on a hot day.&lt;br /&gt;&lt;br /&gt;Thanks to you, I have learned that my prayers only get answered if I &lt;a href=http://www.truthorfiction.com/rumors/r/ringwishes.htm&gt;forward an email to seven of my friends and make a wish&lt;/a&gt; within five minutes.&lt;br /&gt;&lt;br /&gt;Because of your concern I no longer &lt;a href=http://www.snopes.com/cokelore/sperm.asp&gt;drink Coca Cola&lt;/a&gt; because it can &lt;a href=http://www.snopes.com/cokelore/acid.asp&gt;remove toilet stains&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I no longer can buy gasoline without taking someone along to watch the car so a &lt;a href=http://www.snopes.com/horrors/madmen/backseat.asp&gt;serial killer won't crawl in my back seat&lt;/a&gt; when I'm pumping gas.&lt;br /&gt;&lt;br /&gt;I no longer drink Pepsi or Dr. Pepper since the people who make these products are atheists who refuse to put &lt;a href=http://www.snopes.com/politics/business/undergod.asp&gt;"Under God" on their cans&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I no longer use &lt;a href=http://www.snopes.com/medical/toxins/cookplastic.asp&gt;Saran wrap in the microwave&lt;/a&gt; because it causes cancer.&lt;br /&gt;&lt;br /&gt;And thanks for letting me know I can't &lt;a href=http://www.snopes.com/science/microwave.asp&gt;boil a cup of water in the microwave&lt;/a&gt; anymore because it will blow up in my face...disfiguring me for life.&lt;br /&gt;&lt;br /&gt;I no longer check the coin return on pay phones because I could be &lt;a href=http://www.snopes.com/horrors/mayhem/payphone.asp&gt;pricked with a needle infected with AIDS&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I no longer go to shopping malls because someone will &lt;a href=http://www.snopes.com/crime/warnings/perfume.asp&gt;drug me with a perfume sample&lt;/a&gt; and rob me.&lt;br /&gt;&lt;br /&gt;I no longer receive packages from UPS or FedEx since they are actually &lt;a href=http://www.snopes.com/politics/israel/ups.asp&gt;Al Qaeda in disguise&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I &lt;a href=http://www.snopes.com/politics/military/target.asp&gt;no longer shop at Target&lt;/a&gt; since they are French (not really) and don't support our American troops or the Salvation Army.&lt;br /&gt;&lt;br /&gt;I no longer answer the phone because someone will ask me to &lt;a href=http://www.snopes.com/inboxer/scams/phone.htm&gt;dial a number&lt;/a&gt; for which I will get a phone bill with calls to Jamaica, Uganda, Singapore, and Uzbekistan.&lt;br /&gt;&lt;br /&gt;I no longer buy expensive cookies from Neiman Marcus since I now have &lt;a href=http://www.snopes.com/business/consumer/cookie.asp&gt;their recipe&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Thanks to you, I can't use anyone's toilet but mine because a big brown African spider is lurking under the seat to cause me instant death when it &lt;a href=http://www.snopes.com/horrors/insects/telamonia.asp&gt;bites my butt&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;And thanks to your great advice, I can't ever pick up $5.00 I dropped in the parking lot because it probably was placed there by a &lt;a href=http://www.snopes.com/crime/warnings/batonrouge.asp&gt;sex molester waiting&lt;/a&gt; underneath my car to grab my leg.&lt;br /&gt;&lt;br /&gt;I can no longer drive my car because I can't buy gas from &lt;a href=http://www.snopes.com/politics/gasoline/saudigas.asp&gt;certain gas companies&lt;/a&gt;!&lt;br /&gt;&lt;br /&gt;If you don't send this e-mail to at least 144,000 people in the next 70 minutes, a large dove with diarrhea will land on your head at 5:00 PM this afternoon and the fleas from 12 camels will infest your back, causing you to grow a hairy hump. I know this will occur because it actually happened to a friend of my next door neighbor's ex-mother-in-law's second husband's cousin's beautician...&lt;br /&gt;&lt;br /&gt;Have a wonderful day....&lt;br /&gt;Oh, by the way.....&lt;br /&gt;&lt;br /&gt;A South American scientist from Argentina , after a lengthy study, has discovered that people with insufficient brain activity read their e-mail with their hand on the mouse.&lt;br /&gt;&lt;br /&gt;Don't bother taking it off now, it's too late.&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-1640835326205306333?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/1640835326205306333/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=1640835326205306333' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/1640835326205306333'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/1640835326205306333'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/good-one-for-once.html' title='a good one for once'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-3180918851763318804</id><published>2007-11-11T23:14:00.000-08:00</published><updated>2007-11-12T00:10:02.313-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='semantics'/><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='cliches'/><category scheme='http://www.blogger.com/atom/ns#' term='feminism'/><title type='text'>bitching, or why the word is being reclaimed</title><content type='html'>Some people take issue with the feminist reclaiming of the word "bitch." Let's define the word first, courtesy of &lt;a href=http://www.m-w.com/dictionary/bitch&gt;Merriam-Webster&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;1: the female of the dog or some other carnivorous mammals&lt;br /&gt;2 a: a lewd or immoral woman b: a malicious, spiteful, or overbearing woman —sometimes used as a generalized term of abuse&lt;br /&gt;3: something that is extremely difficult, objectionable, or unpleasant&lt;br /&gt;4: complaint&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Definition #1 can usually only be found in kennel-speak. #3 is a colloquial usage that I often utilize myself, as is #4. #2a just smacks of antiquated sex-negativism towards women, often Christian (as &lt;a href=http://bupipedream.com/112103/news/n4.htm&gt;Judaism is pretty sex-positive&lt;/a&gt; in general) in its roots. Why is a sexual woman always a bad one? God says so. Oh, okay. &lt;br /&gt;&lt;br /&gt;But sex-negativity is a whole other issue. The definition with which I take issue is #2b. Because &lt;a href=http://en.wikipedia.org/wiki/Femininity&gt;femininity&lt;/a&gt; is often defined via traits such as passivity, bashfulness, quietness, sweetness, nurturing, caring, motherliness, and sacrifice, what makes a female "malicious, spiteful, or overbearing" is often different than what would deign a man so. The exhibition of the opposite of what is considered "feminine" (often many of the traits that are designated as within male territory) is what causes a woman to be called a bitch.&lt;br /&gt;&lt;br /&gt;Want to call out the leering coworker on his lecherous comments? &lt;br /&gt;&lt;a href=http://books.google.com/books?id=HGGHgTQVusQC&amp;pg=PA76&amp;lpg=PA76&amp;dq=she+deserved+sexual+harassment&amp;source=web&amp;ots=onLbenfSN3&amp;sig=4riIrcsLHGD-eC9xJ0F0eWTpMIg&gt;&lt;span style="font-weight:bold;"&gt;Ungrateful&lt;/span&gt; bitch&lt;/a&gt;, only men were &lt;a href=http://www.uow.edu.au/arts/sts/bmartin/pubs/06jiws.html&gt;allowed to work&lt;/a&gt; before, shut your pie hole (&lt;a href=http://www.damselsinsuccess.com/us/story.aspx?id=8&gt;or else&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Want to have sex? &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Horny&lt;/span&gt; bitch, only sluts want to do the nasty, and guys fuck the slut and love the virgin.&lt;br /&gt;&lt;br /&gt;Want to call the cops on the abusive boyfriend? &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Loud&lt;/span&gt; bitch, what did you expect after dinner was cold?&lt;br /&gt;&lt;br /&gt;Want to refuse a commitment foisted upon you at the last minute? &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Selfish&lt;/span&gt; bitch, why don't you want to help other people?&lt;br /&gt;&lt;br /&gt;Want to eat that scrumptious dessert? &lt;br /&gt;Hungry bitch, you're going to end up &lt;span style="font-weight:bold;"&gt;fat&lt;/span&gt; and lonely.&lt;br /&gt;&lt;br /&gt;Want to go in for therapy? &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Psycho&lt;/span&gt; bitch, why don't you get yourself some friends; women are supposed to talk shit out.&lt;br /&gt;&lt;br /&gt;Want to report a case of marital rape?&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Frigid&lt;/span&gt; bitch, why else do you think he married you other than for &lt;span style="font-weight:bold;"&gt;constant sex&lt;/span&gt;?&lt;br /&gt;&lt;br /&gt;Want to wear a cute top to work so that you'll get some attention for once?&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Evil&lt;/span&gt; bitch, how dare you use your cleavage to &lt;span style="font-weight:bold;"&gt;overcome&lt;/span&gt; that glass ceiling and pay gap?&lt;br /&gt;&lt;br /&gt;Want to put a family on hold for your career?&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cold&lt;/span&gt; bitch, don't you want to make cute babies; do you &lt;span style="font-weight:bold;"&gt;hate babies&lt;/span&gt; or something?&lt;br /&gt;&lt;br /&gt;Want to put your career on hold and have a family?&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Lazy&lt;/span&gt; bitch, who wants to bet your ass won't be &lt;span style="font-weight:bold;"&gt;able to work&lt;/span&gt; again after doing nothing as a mother?&lt;br /&gt;&lt;br /&gt;Want to divide up housework because both you and your husband work?&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Stupid&lt;/span&gt; bitch, don't you know you're lucky he lets you &lt;span style="font-weight:bold;"&gt;work&lt;/span&gt; at all?&lt;br /&gt;&lt;br /&gt;Want to take back the word "bitch?"&lt;br /&gt;&lt;a href=http://www.sciencedaily.com/releases/2007/10/071015102856.htm&gt;Feminist bitch, you'll never be able to keep a man.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I've been called or considered a bitch for wanting sex, for not putting up with verbal abuse, for not keeping quiet when wrong was being done, for valuing my thoughts over my feelings, for sticking to principles instead of to blind loyalty, and most of all for being honest. In the majority of those cases, I wasn't confrontational or mean or hostile, just clear and straightforward. Oh, right, women aren't supposed to be forward, lest they be called bitches.&lt;br /&gt;&lt;br /&gt;Bitch on, I say!&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor&lt;/span&gt;:&lt;br /&gt;10+ Years of &lt;span style="font-style:italic;"&gt;Bitch&lt;/span&gt; Magazine&lt;br /&gt;&lt;a href=http://www.bitchmagazine.org/&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/blog/b.jpg" align="right" border="0"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-3180918851763318804?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/3180918851763318804/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=3180918851763318804' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3180918851763318804'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3180918851763318804'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/bitching-or-why-word-is-being-reclaimed.html' title='bitching, or why the word is being reclaimed'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_b.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-7857927843741116834</id><published>2007-11-11T17:47:00.000-08:00</published><updated>2007-12-12T02:24:49.631-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='stupid consumers'/><category scheme='http://www.blogger.com/atom/ns#' term='lcd news'/><category scheme='http://www.blogger.com/atom/ns#' term='urban legend'/><title type='text'>almost painfully funny</title><content type='html'>Well, actually painfully funny, as my stomach hurt from laughter after that last restaurant segment. Why doesn't the news cover this scam?&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/XfPAjUvvnIc&amp;rel=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/XfPAjUvvnIc&amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-7857927843741116834?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/7857927843741116834/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=7857927843741116834' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/7857927843741116834'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/7857927843741116834'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/almost-painfully-funny.html' title='almost painfully funny'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-5140726846550100311</id><published>2007-11-11T16:10:00.000-08:00</published><updated>2007-11-11T17:39:58.431-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lcd news'/><category scheme='http://www.blogger.com/atom/ns#' term='bullshitins'/><category scheme='http://www.blogger.com/atom/ns#' term='beauty'/><category scheme='http://www.blogger.com/atom/ns#' term='cliches'/><title type='text'>beauty is skin deep, ugly runs down to the bones</title><content type='html'>&lt;blockquote&gt;Scene 1: a young CHILD, probably a girl, is talking with her mother or some other older female figure (OFF) in her life&lt;br /&gt;&lt;br /&gt;CHILD. I'm not pretty, no one likes me! I'm too fat and ugly.&lt;br /&gt;OFF. Beauty is the eye of the beholder/plump is pleasing, more for squeezing/it's not what's on the outside, but what's on the inside/beauty is a fading flower/you can't judge a book by its cover/&lt;a href=http://utopia.knoware.nl/users/sybev/cliche/ugly.shtml&gt;beauty is only a lightswitch away&lt;/a&gt;/beauty is only skin deep/beauty is a matter of taste.&lt;br /&gt;&lt;br /&gt;Scene 2: CHILD is now confronting the BULLY that has been teasing her (or him, I suppose)&lt;br /&gt;&lt;br /&gt;BULLY. Hahaha, you're fat and ugly and nobody likes you.&lt;br /&gt;CHILD (more than slightly smugly, as she (or he, I suppose) has been waiting for this moment ever since Scene 1). It's not what's on the outside, it's what's on the inside!&lt;br /&gt;BULLY. That's what ugly people say. Haha!&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Almost every single female on the planet (and maybe some males) has gone through a version of these two exchanges at some point in her (or his) lifetime. A peer teases you about being somehow unattractive, you cry to the OFF in your life, you confront the peer, and guess what? Your cliché of choice falls flat, and you lose respect for the OFF in your life, realizing on a childish level that she is out of touch with reality.&lt;br /&gt;&lt;br /&gt;It's easy for the "hot chicks" to go around comforting the not-so-hotties with the same platitudes first heard from the mouths of OFFs. Maybe beautiful girls don't get everything handed to them, but they sure as hell get more chances. Metaphorically and literally, more doors are opened for them.&lt;br /&gt;&lt;br /&gt;Ever notice how when men talk about a smart woman who is also beautiful, the monologue will begin thusly: "Oh, I know her. &lt;span style="font-style:italic;"&gt;Beautiful&lt;/span&gt; girl, so articulate too! etc." as if "beautiful" is superior to the attributes for which she actually worked? No, it's more important to them that she won the genetic lottery for looks; anything else is peripheral. See how the focus on looks not only causes the not-so-beautiful to be ignored, but also trivializes the accomplishments of women who happen to be beautiful?&lt;br /&gt;&lt;br /&gt;Needless to say, I am one of those young women in the not-so-hot crowd. Children are cruel, and my male cousins, as well as one of my aunts, were the first to taunt me about my weight. All the clichés with which my mother would comfort me would be met with the devastating retorts that were simply variations of "only ugly people say that". I had latched onto Judge Judy's book title, &lt;a href=http://www.librarything.com/work/72105&gt;Beauty Fades, Dumb is Forever&lt;/a&gt;, as my personal platitude for a while, until I realized that there were plenty of intelligent women with looks to kill as well. Those women are the competition against whom women like me just cannot measure. I was to quickly find that it doesn't really get any better when you get older, either. People may not overtly call you a fattie or some other slur or be as relentless in their comments, but the abuse continues in other ways. Of course, the gems amongst women and men work on their ability to not judge superficially and to look beyond the surface of the individuals they meet. I am not denying that phenomenon and am appreciative of it. It's just hard to ignore the facts about beauty.&lt;br /&gt;&lt;br /&gt;1) To men, &lt;a href=http://www.massgeneral.org/pubaffairs/releases/110801beauty.htm&gt;just looking at a beautiful woman&lt;/a&gt; is like giving a puppy a treat. No wonder hot chicks get into places, whilst not-so-hotties have to wait their turn or fight their way in. If they choose the latter option, of course, they run the risk of not just being ugly, but an ugly bitch.&lt;br /&gt;&lt;br /&gt;2) &lt;a href=http://www.news.wisc.edu/releases/9679.html&gt;Attraction might grow over time&lt;/a&gt;, but what about those who are never even given a chance? Maybe behind that sad, plain-looking girl's expression is a brilliant brain and an even more brilliant smile, but most men wouldn't even bother to talk to an "ugly."&lt;br /&gt;&lt;br /&gt;3) Don't blame the girl in #2 for not smiling more, as the statistics are behind her misery. People stop to help beautiful women who need it, "cuter" babies get more attention (which has longer-term effects than most people realize), and hotter lawyers get more attention at trials. (&lt;a href=http://www.msnbc.msn.com/id/3917414/&gt;source&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;4) Fatness only hinders women. &lt;a href=http://www.flatrock.org.nz/topics/money_politics_law/rules_of_attraction.htm&gt;Fatter women earn less, fatter men earn more&lt;/a&gt;. More generally speaking, &lt;a href=http://www.cnn.com/2005/US/Careers/07/08/looks/&gt;prettier people earn more&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;5) Judge Judy isn't that comforting, really. Not all beautiful women are stupid. In fact, &lt;a href=http://www.yongfook.com/2006/06/29/10-beautiful-women-who-are-way-more-intelligent-than-you/&gt;some of them&lt;/a&gt; are really smart. That means that the smart but not-so-hot women have major, major competition.&lt;br /&gt;&lt;br /&gt;I remember when the &lt;a href=http://en.wikipedia.org/wiki/Samantha_Runnion&gt;Samantha Runnion case&lt;/a&gt; was big news; another child was kidnapped around the same time but received no attention, presumably because she wasn't a blond little white girl. The same goes for the JonBenet Ramsey vs &lt;a href=http://www.geocities.com/murderedbabies/story.html&gt;Sherrice Iverson&lt;/a&gt; kidnappings. The blond little Ramsey girl, as a participant in the &lt;a href=http://urbansemiotic.com/2006/08/18/pedophilia-and-child-beauty-pageant-perversion/&gt;child beauty pageants &lt;/a&gt;that serve as pedophile fodder, got more attention than poor Sherrice. Being pretty apparently can help your chances against an abductor --- a life-or-death matter. The sad part is that I can hear a deep voiced retort in my head already, as the more uncouth amongst males might deign this "natural selection" against "uglies". It's so ingrained of a response, to hear that voice, that I can't tune it out.&lt;br /&gt;&lt;br /&gt;None of us really tunes it out, and so the human understanding of other human beings remains superficial.&lt;br /&gt;&lt;br /&gt;This is one of the areas in which Myspace bulletins are actually right. There was a popular one called &lt;a href=http://www.thamike.com/index.php?a=4&amp;id=777&gt;"I'm sorry"&lt;/a&gt; that I've seen make the rounds several times, and I'm inclined to actually agree with its message. Girls are forced to measure up against an impossible standard, leading to low self-esteem; boys are supposed to act macho and only go for "hot chicks," causing them to not pursue the not-so-hottie in whom they might be interested. Low self-esteem is not attractive, feeding the cycle; unhappy relationships with people with whom you have nothing in common but physical attraction gets in the way of building something more lasting and more real.&lt;br /&gt;&lt;br /&gt;This is the world as I find it, not the world I hope is out there. Pretty people only dominate without breaking a nail or mussing that hairdo only because the not-so-hot let them do so. We're all guilty of it, hence its existence.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor:&lt;/span&gt;&lt;br /&gt;&lt;a href=http://uglydemocrats.com/pictures/Republican-vs-Democrat-women.jpg&gt;18 political women judged for their looks instead of their ideas&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-5140726846550100311?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/5140726846550100311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=5140726846550100311' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5140726846550100311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5140726846550100311'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/scene-1-young-child-probably-girl-is.html' title='beauty is skin deep, ugly runs down to the bones'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-6633739530040166469</id><published>2007-11-08T01:05:00.000-08:00</published><updated>2007-11-08T01:05:26.767-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='san diego'/><category scheme='http://www.blogger.com/atom/ns#' term='bullshitins'/><category scheme='http://www.blogger.com/atom/ns#' term='california'/><category scheme='http://www.blogger.com/atom/ns#' term='religion'/><category scheme='http://www.blogger.com/atom/ns#' term='wildfires'/><title type='text'>Preying Using Prayer</title><content type='html'>Regardless of the religious beliefs of an individual, it's rationally impossible to prove in a testable, repeatable (and by those two adjectives I mean "scientific) manner that prayer really does help people. &lt;a href=http://whywontgodhealamputees.com/god11.htm&gt;Why Won't God Heal Amputees&lt;/a&gt; is a website based on that idea, and essentially debunks the idea that prayer actually helps people.&lt;br /&gt;&lt;br /&gt;By all means, if people have faith and feel better via prayer, they ought to pray. After all, one has a duty to oneself as well as to others. If prayer (or secular meditation, whatever) centers a person and makes him/her feel calmer and better, then it has a benefit. To claim that it helps those about whom the supplicant might be praying, however, can lead to a sense of dangerous complacency.&lt;br /&gt;&lt;br /&gt;Perfect example: the recent wildfires. A &lt;a href=http://www.redcross.org/news/ds/profiles/disaster_profile_CAWildfires.html#HelpNow&gt;relief fund&lt;/a&gt; that is accessible on-line has been set up, so people can help with monetary donations at their convenience. &lt;a href=http://www.petergreenberg.com/2007/10/26/california-wildfire-crisis-who-helped-who-balked/&gt;Various companies&lt;/a&gt; offered discounts and even waived fees to help the then-evacuees, now survivors who are trying to pick up the pieces. &lt;br /&gt;&lt;br /&gt;Additionally, I have read and heard many, many stories of people who packed up their cars with the types of supplies needed and drove over to help the victims of the fire. Personally, I helped clean up the house of my boyfriend's business partner's family. The type of breather needed to prevent inhalation of dangerous fumes and particles was hard to come by even in Orange County, but I called every hardware store in the area until I found some. I took them south with me. It was the first time I had directly participated in such an endeavor, and I hope that it is the last (footage of the house and Dan's business partner's reaction can be found &lt;a href=http://www.ibnlive.com/news/indian-recounts-california-wildfires-horror/&gt;here&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Whilst people were mobilizing to help others in a solid way, others were content to merely &lt;a href=http://www.circleofprayer.org/circle/66e2516acb923b19ba97fcb95bc660c9/&gt;sit and pray&lt;/a&gt;, or send out Myspace bulletins urging people to pray. My response was a bulletin of my own:&lt;br /&gt;&lt;i&gt;re praying for the California wildfire victims:&lt;br /&gt;Don't just pray, do something. If you feel like prayer is good thing, then by all means do so, just don't try to convince anyone that you're actually contributing anything. Everyone prays for any number of causes, but there is no statistical reason to believe that asking your god of choice for help will help in this dire situation.&lt;br /&gt;&lt;br /&gt;People who pray and then tell others to do so as well as if it's some grand gesture are lulling themselves and others into a false sense of complacency.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;A friend of mine responded:&lt;br /&gt;&lt;span style="font-style:italic;"&gt;Maybe people should do both?&lt;br /&gt;&lt;br /&gt;I'll tell you now, If I've been helping people evacuate and put shit out, and it comes a time where I can't do anything, I'm gonna pray. When someone tells another person to pray for victoms, it's not like they're saying "fuck doing anything else."&lt;br /&gt;&lt;br /&gt;Not trying to step on you here. Just saying.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(He raps, &lt;a href= http://www.myspace.com/redrapper&gt;check him out&lt;/a&gt;.)&lt;br /&gt;&lt;br /&gt;I realized that I hadn't really defined what I was trying to say, so I'll say it here. The idea that prayer actually, directly, and significantly helps those who are the subjects of the prayer preys on the tendency of the average person to not get truly involved with helping others. No one but the supplicant actually benefits from the prayer; that feeling of having done something good in their own eyes is enough for most people, which is the reason I call BS on the Myspace bulletins (aka "bullshitins"), emails, and websites urging people to pray instead of showing them how to take action to help. Saying a quick prayer in a moment of despair or praying when there's nothing else you can do is one thing, feeling self-righteous and satisfied because you said some words for someone to a deity in which that person may not even believe is what is &lt;span style="font-weight:bold;"&gt;wrong&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor:&lt;/span&gt;&lt;br /&gt;the safety gear that was my small contribution&lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/goggles.jpg&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/resp.jpg&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/goggles.jpg&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/resp.jpg&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/goggles.jpg&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/resp.jpg&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-6633739530040166469?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/6633739530040166469/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=6633739530040166469' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/6633739530040166469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/6633739530040166469'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/preying-using-prayer.html' title='Preying Using Prayer'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_goggles.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-2583608977149708932</id><published>2007-11-07T15:00:00.000-08:00</published><updated>2007-11-07T14:55:25.085-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='san diego'/><category scheme='http://www.blogger.com/atom/ns#' term='lcd news'/><category scheme='http://www.blogger.com/atom/ns#' term='california'/><category scheme='http://www.blogger.com/atom/ns#' term='wildfires'/><title type='text'>OMG CASTLE!: Coverage of the California Wildfires</title><content type='html'>I was in San Diego on Sunday, October 20, 2007. I had taken the Amtrak Surfliner and was relaxing with Dan, my boyfriend. We glanced outside and noticed that it seemed dark; stepping outside, we saw the soot and ash that had covered his backyard. Obviously, there was a fire somewhere not too far off. We used online local news sources to find information, as well as called the official San Diego hotline. Neither yielded much besides a location for the fire, but that was better than what people were getting if they were relying on television for their information: nearly nothing. I went home back to Irvine that evening only to view the Santiago Canyon fire from the bridge over the train tracks.&lt;br /&gt;&lt;br /&gt;Over the course of the next few days, I would find out that San Diego didn't matter. I was hungry for news of the fires just south of me for obvious personal reasons, but if that's what I wanted, TV wouldn't provide it. I started bookmarking webpages devoted to the issue, but the lack of coverage still bothered me. It was obvious from the start that the San Diego fires were going to cause more damage and were more of a hazard to residents than the Malibu fires, and yet the one that continued to get coverage on almost all news stations was still Malibu. It was only after FEMA was called into San Diego that US news sources began to pick up the story and provide updates for those concerned about those more southbound along the 5 Freeway.&lt;br /&gt;&lt;br /&gt;Two instances stand out in my memory of the overwrought coverage of the Malibu fires, and can serve as epitomes. The first is a reporter standing in front of a hill, reporting on how the small flare-ups on the hill aren't threatening any people or property. She was  talking about something of, very literally, no consequence at all as San Diego was burning down. The second is the incessant repetition of &lt;a href=http://www.foxnews.com/story/0,2933,303799,00.html&gt;the Persian castle story&lt;/a&gt;. The person who owned the castle is probably quite wealthy and stated that she didn't care too much that some of her possessions had been lost. Why newscasters were endlessly reporting on the story of someone who was insured and wealthy enough not to care is absolutely beyond me.&lt;br /&gt;&lt;br /&gt;Not so beyond me, actually. The news media caters to the lowest common denominator and show what sells, and for some reason, we Americans love obsessing over rich people.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor:&lt;/span&gt;&lt;br /&gt;One burnt-down eyesore of a castle&lt;br /&gt;&lt;a href="http://lalate.wordpress.com/2007/10/21/malibu-castle-hodge-castle-castle-kashan-destroyed-in-malibu-fire/"&gt;&lt;img src="http://i14.photobucket.com/albums/a301/keythah/blog/castle.jpg" align="right" border="0"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-2583608977149708932?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/2583608977149708932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=2583608977149708932' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2583608977149708932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/2583608977149708932'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/omg-castle-coverage-of-california.html' title='OMG CASTLE!: Coverage of the California Wildfires'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_castle.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-3842348880442512209</id><published>2007-11-07T14:00:00.000-08:00</published><updated>2007-11-15T02:54:23.612-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='san diego'/><category scheme='http://www.blogger.com/atom/ns#' term='1984'/><category scheme='http://www.blogger.com/atom/ns#' term='banned books week'/><category scheme='http://www.blogger.com/atom/ns#' term='california'/><category scheme='http://www.blogger.com/atom/ns#' term='wildfires'/><title type='text'>FEMA: Doublespeak for The Ministry of Truth</title><content type='html'>I have always been an avid reader of dystopian fiction, or, as a not-so-literary friend of mine likes to tease me, "anti-Utopian" works. The first time I picked one up was during &lt;a href=http://www.ala.org/ala/oif/bannedbooksweek/bannedbooksweek.htm&gt;Banned Books Week&lt;/a&gt; at the local public library.  The work itself, Lois Lowry's Newberry Award-winning &lt;a href=http://www.librarything.com/work/8110/book/9914466&gt;The Giver&lt;/a&gt;, is well on its way to being everyone's first dystopian book. I have since read (and &lt;a href=http://www.librarything.com/catalog.php?tag=dystopian&gt;recorded&lt;/a&gt;) as many dystopian works as I could (see &lt;a href="http://science.jrank.org/pages/9037/Dystopia-Goals-Dystopian-Fiction.html"&gt;Dystopia - Goals Of Dystopian Fiction&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;The one that has lent the modern incarnation of the English language the most words is, of course, Orwell's &lt;a href=http://www.librarything.com/work/1472/book/4056789&gt;1984&lt;/a&gt;. If the greatness of a piece of literature is based merely upon its long-lasting and quite popular impact amongst readers, &lt;u&gt;1984&lt;/u&gt; is the foremost dystopian work ever written. From &lt;a href=http://www.tv.com/big-brother/show/4673/summary.html&gt;the titles of television shows&lt;/a&gt; to &lt;a href=http://i14.photobucket.com/albums/a301/keythah/blog/203452558_f85a451cf7.jpg&gt; popular political discourse&lt;/a&gt;, Orwell's imagery and words are as much ours as his.&lt;br /&gt;&lt;br /&gt;Which is precisely why I thought I was dreaming of &lt;u&gt;1984&lt;/u&gt; on Wednesday, October 24, 2007m the day I was informed of the &lt;a href=http://firstread.msnbc.msn.com/archive/2007/10/26/433236.aspx&gt;now-infamous news conference&lt;/a&gt; in San Diego. &lt;a href=http://www.slate.com/id/2176869/&gt;Slate parodied it&lt;/a&gt;, but for those of us that have yet to properly read either of the question lists, I have a little exercise: &lt;span style="font-weight:bold;"&gt;Discern the BS&lt;/span&gt;. Below are five questions for FEMA, some from the faked news conference and some are made up. Can you tell which are which?&lt;br /&gt;&lt;br /&gt;1) What lessons learned from Katrina have been applied?&lt;br /&gt;2) What type of commodities are you pledging to California?&lt;br /&gt;3) Can you address a little bit what it means to have the president issue an emergency declaration, as opposed to a major disaster declaration? What does that mean for FEMA?&lt;br /&gt;4) There are a number of reports that people weren't heeding evacuation orders and that was hindering emergency responders. Can you speak a little to that, please?&lt;br /&gt;5) Sir, we understand the secretary and the administrator of FEMA are on their way out there. What is their objective? And is there anyone else traveling with them?&lt;br /&gt;&lt;br /&gt;Are you ready for some answers? Apparently, FEMA wasn't ready to answer anybody's questions. All of the questions above were from the real fake conference (doublespeak again). FEMA gave actual reporters fifteen minutes' warning before the news conference. Fifteen minutes?! The 15 Freeway was closed down as well as parts of other freeways due to the fires that dotted the California landscape that day less than a month ago. California traffic is bad enough on a normal day, let alone when a disaster was happening.&lt;br /&gt;&lt;br /&gt;John Philbin was FEMA's external affairs director when the conference happened, but &lt;a href=http://www.npr.org/templates/story/story.php?storyId=15771431&gt; he is no more a part of FEMA&lt;/a&gt;. It's a good sign that the man who is being blamed for this has been fired, but more must be done. The news conference required not only Philibin's planning power, but also the compliance of FEMA staffers, cameramen, and anyone else who was aware of what was going on. Massive complicity in the face of obvious wrongdoing is much more dangerous than the schemings of a single man, especially when the truth of a national disaster situation is at stake.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BS Factor:&lt;/span&gt;&lt;br /&gt;Ought not to assess it, for...&lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/blog/190601388_e3b7f7df35.jpg&gt;&lt;br /&gt;&lt;br /&gt;Or, even worse:&lt;br /&gt;&lt;img src=http://i14.photobucket.com/albums/a301/keythah/lolcats/lolcatsdotcomgs92w81k6peka80w.jpg&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-3842348880442512209?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/3842348880442512209/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=3842348880442512209' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3842348880442512209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/3842348880442512209'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/11/fema-doublespeak-for-ministry-of-truth.html' title='FEMA: Doublespeak for The Ministry of Truth'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i14.photobucket.com/albums/a301/keythah/blog/th_190601388_e3b7f7df35.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6984433375308800121.post-5568849302156436896</id><published>2007-10-28T23:44:00.000-07:00</published><updated>2007-10-29T00:02:32.601-07:00</updated><title type='text'>Blog Rules -- a pre/over-view</title><content type='html'>This post will serve as a way for me to establish the basics as to the purpose of this blog, as well as to give my potential readership some insight as to what it is they are getting into.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;5 Main Rules&lt;/u&gt;:&lt;br /&gt;&lt;br /&gt;1) In striving to stay true to its title and URL, &lt;a href=http://callingoutbs.blogspot.com&gt;In the Realm of the Rational&lt;/a&gt; will focus on issues related to rationality, sensibility, and just plain common sense.&lt;br /&gt;&lt;br /&gt;2) The main focus of the blog will be on current events, if at all possible. The main topic at hand will be analyzed, and then assessed for its BullShit (henceforth known as "BS") Factor.&lt;br /&gt;&lt;br /&gt;3) BS Factor may not be assessed solely based on political bias, religious preference, personal prejudices, or impulsive inclinations. Although all the aforementioned might influence the content of the blog, the main "calling out" shall be done in concern to aspects of the main issue that simply are &lt;i&gt;wrong&lt;/i&gt;. Such &lt;i&gt;wrong&lt;/i&gt;ness might be ascribed to factors such as incredible bias (either to the right or to the left), ill-gotten information, deliberately misquoted statements and statistics, and other gross manipulations of what might objectively be called "the truth."&lt;br /&gt;&lt;br /&gt;4) Posts shall occur as needed but shall not occur less than thrice a week. No more than one post a week shall consist of only a link and analysis.&lt;br /&gt;&lt;br /&gt;5) Posts shall be tagged with no less than three tags each in order to help create more of a specific theme and a pattern for the blog.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6984433375308800121-5568849302156436896?l=callingoutbs.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://callingoutbs.blogspot.com/feeds/5568849302156436896/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6984433375308800121&amp;postID=5568849302156436896' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5568849302156436896'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6984433375308800121/posts/default/5568849302156436896'/><link rel='alternate' type='text/html' href='http://callingoutbs.blogspot.com/2007/10/blog-rules-preover-view.html' title='Blog Rules -- a pre/over-view'/><author><name>Heina</name><uri>http://www.blogger.com/profile/01800019477518925044</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
